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Although Greta Garbo takes top billing here - and she's great - I think this film really belongs to the on-form Melvyn Douglas as the scheming "Leon". He is the boyfriend of the Imperial Grand Duchess "Swana" (Ina Claire) who is living in exile in Paris. The newly formed Soviet Union is a bit broke, so three of it's finest representatives have arrived with what was her priceless jewellery so they can sell it on. "Leon" sees a chance for them to cash in so gets an injunction stalling the sale and that results in Moscow sending their best agent (Garbo) to get the job done. She's a no-nonsense communist in the best tradition, but she hadn't quite factored in the charismatic Frenchman who aims to firmly insert a spanner in the works. What now ensues is a delightfully funny drama that takes a swipe at the establishments of both nations, at the all too frequent ridiculousness of dogma and at flawed and quirky human nature. There's loads of chemistry here - all centring nicely around Douglas, and the triptych of her cohorts "Buljanoff" (Felix Bressart), "Kopalski" (Alexander Granach) and "Iranoff" (Sig Rumann) - who really just want to open a nice restaurant somewhere - add a nice touch of stooge-ness to the proceedings. As with Bergman and Dietrich, the camera simply loves Garbo and her slightest frown or smile speaks a hundred words. Seen here with a leading man who is charming and confident and with an entertaining story underpinning everything, this really is a jolly good watch.
One woman's life is forever changed by an engagement ring meant for someone else.
When a prank goes awry, 4 best friends and an awkward outcast witness a murder that threatens their hard-won success and obsessively sunny dispositions. Bummer!
Lucille Lingard and her friend Emmie bid farewell to their European friends on their last night in Paris. Lucille has fallen for the debonair Ronald Derbyshire and dreads returning to her mundane Midwestern hometown in Iowa and her stolid husband Charles. Back in America, Lucille plans to get a divorce and is delighted when Ronald show up. However, he and Charles unexpectedly become close friends, and Ronald admits that he does not find Lucille as attractive as he did in Paris. He leaves the next day and Lucille stays with her husband, won over once more to her family life.
In the 70s, in the Goutte d'or district, three friends of Algerian origin: Poulou, a failed boxer, Amar, the clumsiest of thieves, and Jibé, a public writer for illiterate compatriots whose lives he knows in detail. As he betrays none of their secrets, he enjoys great prestige in the bistros where he works. The three of them lead a casual life, raising money by illicit means. It's only when Poulou and Amar leave that Jibé understands his isolation and marginalization. The images as well as the sounds help to reinforce the feeling that Paris is a city where he is both at home and a terrible stranger.
Claire moves impulsively from NYC to Paris, where she nannies for the family from hell, battles wacky French bureaucrats, embarrasses herself in front of her Parisian crush and navigates a toxic relationship - among other faux pas.
A young woman descends into the depths of human depravity while attempting to craft the perfect slice of toast.
An original illustrated 110 minute recording by The Pythons of their early screenplay in progress.
In the near future where emotions have become a threat, Gabrielle finally decides to purify her DNA in a machine that will immerse her in her past lives and rid her of any strong feelings. She then meets Louis and feels a powerful connection, as if she had known him forever.
The Maynards and their children lead an almost perfect billionaire family life. Amon is a passionate hunter, but doesn’t shoot animals, as the family's wealth allows them to live totally free from consequences.
Three friends create an artificial intelligence to generate new TV shows, however the AI turns on them and begins torturing it's characters.
