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**Fight... to get to the end of the movie.** After having managed to find some redeeming values in the first film, “In the Name of The King: a Dungeon Siege Tale”, I decided to also give its sequel a chance, also directed by Uwe Boll and, I thought, a likely sequel worthy of the first movie. However, the production was fatally injured by the brutal budget cut, perhaps due to the reception that the first film received from the public. These considerations do not, however, clear the director of his own weaknesses. Boll may not be a complete incompetent, I still don't know him well enough to evaluate him, but I've already realized from these two films that he's not particularly brilliant. The script takes us back to the kingdom of Ehb, and the events surrounding the crown of that fantasy kingdom, when a former US Special Forces soldier is accidentally sent there. The whole story is weak, artificial, and the way the characters act is very silly and unnatural. In fact, the characters are mere figures and faces without any personality and about whom we know little and care even less. There are some attempts at action, but I believe that even the original video game is more exciting and intense than what we're given here. The cast is led by Dolf Lundgreen, an actor I don't particularly like and who is far from what I would consider a versatile and skilled professional. He might even be, but in the hands of a director capable of extracting that from him. The actor has no difficulty taking on the role, not least because he seems to be almost the only minimally experienced professional around, but his performance is very weak. Lochlyn Munro, who should be someone more prominent, is not capable of being more imposing than a fifteen-year-old teenager on the first date. The rest of the cast, and especially the actresses, don't even deserve to be mentioned. Amateurism is a nice term to describe what they did. Technically, we have to lament the Franciscan poverty of what is offered to us: the cuts that the production budget suffered necessarily implied cost reductions, which may explain why everything seems as fake as a theater play: from the costumes to the armament and props, the film is a Carnival from which only the sets and filming locations can be saved, chosen with care or created in CGI with competence. There is a lot of CGI here, including a dragon, and there is some investment in these resources, perhaps due to lack of budget to go further. The cinematography makes the best of these elements, but you never feel the confidence, confidence and ingenuity that the cinematography of the original film allowed the audience to exude. The soundtrack works very well, but it doesn't have the interest or sound of the one used in the first film.
A child is born. We see underwater swimmers representing this. He is young, in a jungle setting, with two fanciful "instincts" guiding him as swooping bird-like acrobats initially menace, then delight. As an adolescent, he enters a desert, where a man spins a large cube of metal tubing. He leaves his instinct-guides behind, and enters a garden where two statues dance in a pond. As he watches their sensual acrobatics of love, he becomes a man. He is offered wealth (represented by a golden hat) by a devil figure. In a richly decorated room, a scruffy troupe of a dozen acrobats and a little girl reawaken the old man's youthful nature and love.
Sonic's arch nemesis Dr. Robotnik has been banished from the Land of Darkness by an evil Metal Robotnik. The devious doctor tells Sonic that the Robot Generator has been sabotaged and will blow Planet Freedom to kingdom come. But it's not until the President's beautiful daughter Sara turns on the charm that Sonic springs into action.
Dar, is the son of a king, who is hunted by a priest after his birth and grows up in another family. When he becomes a grown man his new father is murdered by savages and he discovers that he has the ability to communicate with the animals, which leads him on his quest for revenge against his father's killers.
Smart as a Fox is a 1946 short documentary film supervised by Gordon Hollingshead. In this short film, a fox cub experiences life in the forest. It was nominated for an Oscar for Best Live Action Short, One-Reel.
14th-century Franciscan monk William of Baskerville and his young novice arrive at a conference to find that several monks have been murdered under mysterious circumstances. To solve the crimes, William must rise up against the Church's authority and fight the shadowy conspiracy of monastery monks using only his intelligence – which is considerable.
Enraged at the slaughter of Murron, his new bride and childhood love, Scottish warrior William Wallace slays a platoon of the local English lord's soldiers. This leads the village to revolt and, eventually, the entire country to rise up against English rule.
In 1938, an art collector appeals to eminent archaeologist Dr. Indiana Jones to embark on a search for the Holy Grail. Indy learns that a medieval historian has vanished while searching for it, and the missing man is his own father, Dr. Henry Jones Sr.. He sets out to rescue his father by following clues in the old man's notebook, which his father had mailed to him before he went missing. Indy arrives in Venice, where he enlists the help of a beautiful academic, Dr. Elsa Schneider, along with Marcus Brody and Sallah. Together they must stop the Nazis from recovering the power of eternal life and taking over the world!
When brilliant video game maker Flynn hacks the mainframe of his ex-employer, he is beamed inside an astonishing digital world...and becomes part of the very game he is designing. In his mission through cyberspace, Flynn matches wits with a maniacal Master Control Program and teams up with Tron, a security measure created to bring balance to the digital environment.
Young hobbit Frodo Baggins, after inheriting a mysterious ring from his uncle Bilbo, must leave his home in order to keep it from falling into the hands of its evil creator. Along the way, a fellowship is formed to protect the ringbearer and make sure that the ring arrives at its final destination: Mt. Doom, the only place where it can be destroyed.
Frodo Baggins and the other members of the Fellowship continue on their sacred quest to destroy the One Ring-but on separate paths. Their destinies lie at two towers-Orthanc Tower in Isengard, where the corrupt wizard Saruman awaits, and Sauron's fortress at Barad-dur, deep within the dark lands of Mordor. Frodo and Sam are trekking to Mordor to destroy the One Ring of Power while Gimli, Legolas and Aragorn search for the orc-captured Merry and Pippin. All along, nefarious wizard Saruman awaits the Fellowship members at the Orthanc Tower in Isengard.
As armies mass for a final battle that will decide the fate of the world-and powerful, ancient forces of Light and Dark compete to determine the outcome-one member of the Fellowship of the Ring is revealed as the noble heir to the throne of the Kings of Men. Yet, the sole hope for triumph over evil lies with a brave hobbit, Frodo, who, accompanied by his loyal friend Sam and the hideous, wretched Gollum, ventures deep into the very dark heart of Mordor on his seemingly impossible quest to destroy the Ring of Power.