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**Fight... to get to the end of the movie.** After having managed to find some redeeming values in the first film, “In the Name of The King: a Dungeon Siege Tale”, I decided to also give its sequel a chance, also directed by Uwe Boll and, I thought, a likely sequel worthy of the first movie. However, the production was fatally injured by the brutal budget cut, perhaps due to the reception that the first film received from the public. These considerations do not, however, clear the director of his own weaknesses. Boll may not be a complete incompetent, I still don't know him well enough to evaluate him, but I've already realized from these two films that he's not particularly brilliant. The script takes us back to the kingdom of Ehb, and the events surrounding the crown of that fantasy kingdom, when a former US Special Forces soldier is accidentally sent there. The whole story is weak, artificial, and the way the characters act is very silly and unnatural. In fact, the characters are mere figures and faces without any personality and about whom we know little and care even less. There are some attempts at action, but I believe that even the original video game is more exciting and intense than what we're given here. The cast is led by Dolf Lundgreen, an actor I don't particularly like and who is far from what I would consider a versatile and skilled professional. He might even be, but in the hands of a director capable of extracting that from him. The actor has no difficulty taking on the role, not least because he seems to be almost the only minimally experienced professional around, but his performance is very weak. Lochlyn Munro, who should be someone more prominent, is not capable of being more imposing than a fifteen-year-old teenager on the first date. The rest of the cast, and especially the actresses, don't even deserve to be mentioned. Amateurism is a nice term to describe what they did. Technically, we have to lament the Franciscan poverty of what is offered to us: the cuts that the production budget suffered necessarily implied cost reductions, which may explain why everything seems as fake as a theater play: from the costumes to the armament and props, the film is a Carnival from which only the sets and filming locations can be saved, chosen with care or created in CGI with competence. There is a lot of CGI here, including a dragon, and there is some investment in these resources, perhaps due to lack of budget to go further. The cinematography makes the best of these elements, but you never feel the confidence, confidence and ingenuity that the cinematography of the original film allowed the audience to exude. The soundtrack works very well, but it doesn't have the interest or sound of the one used in the first film.
An action-adventure search for a priceless cultural treasure stolen by Russia from the Nazis during World War II.
William Thatcher, a knight's peasant apprentice, gets a chance at glory when the knight dies suddenly mid-tournament. Posing as a knight himself, William won't stop until he's crowned tournament champion—assuming matters of the heart don't get in the way.
For nine generations an evil sorcerer has been victorious in hand-to-hand battle against his mortal enemies. If he wins a tenth Mortal Kombat tournament, desolation and evil will reign over the multiverse forever. To save Earth, three warriors must overcome seemingly insurmountable odds, their own inner demons, and superhuman foes in this action/adventure movie based on one of the most popular video games of all time.
In ancient Egypt, peasant Mathayus is hired to exact revenge on the powerful Memnon and the sorceress Cassandra, who are ready to overtake Balthazar's village. Amid betrayals, thieves, abductions and more, Mathayus strives to bring justice to his complicated world.
A horde of rampaging warriors massacre the parents of young Conan and enslave the young child for years on The Wheel of Pain. As the sole survivor of the childhood massacre, Conan is released from slavery and taught the ancient arts of fighting. Transforming himself into a killing machine, Conan travels into the wilderness to seek vengeance on Thulsa Doom, the man responsible for killing his family. In the wilderness, Conan takes up with the thieves Valeria and Subotai. The group comes upon King Osric, who wants the trio of warriors to help rescue his daughter who has joined Doom in the hills.
A giant whale appears and flies above Sakura New Town. With the whale’s sound of crying, some changes occur to Kenta Amano and Yokai.
Set during the early part of his reign, Ivan faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people. Sergei Eisenstein's final film, this is the first part of a three-part biopic of Tsar Ivan IV of Russia, which was never completed due to the producer's dissatisfaction with Eisenstein's attempts to use forbidden experimental filming techniques and excessive cost overruns. The second part was completed but not released for a decade after Eisenstein's death and a change of heart in the USSR government toward his work; the third part was only in its earliest stage of filming when shooting was stopped altogether.
The Seven Dwarves live deep within a female-free-zone of the Enchanted Forest, but they cannot resist the innocent charms of Snow White when she enters their world. So when the evil queen abducts her, it is up to the dwarves to save her life.
A group of heroic warriors has only six days to save the planet in "Mortal Kombat Annihilation." To succeed they must survive the most spectacular series of challenges any human, or god, has ever encountered as they battle an evil warlord bent on taking control of Earth.
A young Belarussian man joins Soviet partisans in order to fight Polish occupational forces in Belarus.