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The Chase Australia - (Feb 20th)
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The Family Business- New Orleans - (Feb 20th)
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Nikolay Cherkasov is superb in this speculative biopic of the infamous Tsar of all the Russias. Made towards the end of the Second World War, Sergei Eisenstein manages to create a magnificent depiction of just how this often barbaric, but actually rather shrewd and intelligent 16th century monarch inherited and retained his throne despite plots and intrigues from his court, his people, his nobles - basically, just about everyone. His goal? Well that is presented in an almost Stalinist style. To unite the Russian peoples and to protect them from the oppression of those who would invade their land and take away their freedoms. The anti-Nazi rhetoric is front, centre and potent. This is also a terrific historical epic with great attention to detail, some penetrating photographic techniques and a string supporting actors portraying friend and foe that all offers us a captivating, sometimes quite claustrophobic, illustration of a nation and a government that seems frequently but a hair's breath from insanity. Lyudmila Tselikovskaya is superb as his conspiring Tsarina Anastasia as is Serafima Birman as his even more duplicitous aunt Efrosinia who has designs on his throne for her own son Vladimir - who rather epitomises the theory of the inbred degenerate identified by Josef von Sternberg in "The Scarlett Empress" made ten years earlier. At times it has the theatrical style of a silent film; the lighting and staging and the eyes - indeed the facial expressions in general, combined with the rousing Prokofiev score convey much more than any mere dialogue ever could. A finer tale of power lust, debauchery and metal instability you will never see in film - and I loved it!
A young woman sabotages her own wedding in order to reclaim her identity and obliterates her life in the process.
Death in Love is a psychosexual-thriller about a love affair between a Jewish woman and a doctor overseeing human experimentation at a Nazi German concentration camp, and the impact this has on her sons' lives in the 1990s.
On his 83rd birthday, Eddie, a war vet and a maintenance worker at the Ruby Pier amusement park, dies while trying to save a girl who is sitting under a falling ride. When he awakens in the afterlife, he encounters five people with ties to his corporeal existence who help him understand the meaning of his life.
When Death wants to bring the plague to Württemberg in 1349, he has not reckoned with the two guard soldiers Volckel and Utz, who engage him in a heated argument about plague ordinances and entry regulations.
A man assists a woman in danger, but through her actions, she unintentionally causes his death. Everyone in the village knows that she visits his tomb every spring, but no one knows the details of her story.
A faithless pastor is haunted by the sins of his past during a single night in the sanctuary.
A Christian missionary group is abducted by Islamic rebels. In fear for their lives, the group slowly sees their faith in each other slip away.
After being imprisoned for the killing of ethnic Tutsis during the Rwandan genocide, Manzi must face the emotional and psychological consequences of his most personal crime: the murder of his best friend's family.
Unable, due to the seal of the confessional, to be forthcoming with information that would serve to clear himself during a murder investigation, a priest becomes the prime suspect.
