Jaguar: Voz de un Territorio

What happened to painter Beatriz González, who made us laugh with the irony of her works, to get to the point of making a self-portrait that shows her crying naked? The path of the artist is intimately linked with the history of Colombia during the past fifty years.

A documentary on the massacre of Planas in the Colombian east plains in 1970. An Indigenous community formed a cooperative to defend their rights from settlers and colonists, but the government organized a military operation to protect the latter and foreign companies.

María is an Amorúa girl; an indigenous group that traveled the savannas of Orinoquía as nomads. She lives with her grandmother Matilde, her sister diana and her cousins in Puerto Carreño, in the Colombia-Venezuela border. The amorúa are considered wild and are not literate. Matilde wants her granddaughters to learn to write and read to live better in this town of "rational whites" as they call us. The director follows María's life for 8 years from her childhood to her adolescence and invites her to travel the places her grandma did as a nomad.

This documentary reveals the most violent part of the most violent city (Medellin) of the most violent country (Colombia) in the world. For around 75 minutes, different people from Medellin explain how difficult it is to live and survive in a city where violence, weapons, killing is common. Everyday, someone you know may die or get wounded by one of the different armed factions that struggle throughout the country and in the cities to take control over the population, drug cartel, politics, etc... sometimes for no reasons at all but fun.

Go up-river and deep into the jungle far from Brazil's cities and stadiums, where families of giant otters, tufted capuchin monkeys and mischievous coati (South American raccoon cousins) rally their wits to survive in a breathtakingly beautiful yet dangerous land.

If you take a pinch of Khoi-San lament, a dash of Malay spice, a bold measure of European orchestral, a splash of Xhosa spiritual, a clash of marching bands, a riff of rock, the pizzazz of the Klopse, some driving primal beat, and a lot of humour and musical virtuosity, what do you get? Goema Goema Goema! Weaving together the ancient, the traditional, and the classical into the contemporary universal sound of Cape Town, Mac MacKenzie, musical mastermind and founder of The Genuines and The Goema Captains of Cape Town, puts together the final touches to the culmination of his life’s work: Goema in Five Movements. Musicians and musical commentators Hilton Schilder, Neo Muyanga, Iain Harris and Graham Arendse, and new kids on the block, Kyle Shepherd and Shane Cooper, add a contemporary context to Goema, while the orchestra rehearses for its premiere performance at the SABC studios.

In the depths of the Colombian jungle, the skeleton of an immense abandoned cement bridge is tucked away. It has turned into a delusional tourist attraction.

After 52 years of armed conflict the FARC guerrillas are about to hand over their arms in exchange for political participation and social inclusion of the poor. Ernesto is one of them. The much celebrated Colombian peace agreement throws Ernesto and the polarised society around him into chaos in which everyone is afraid of the future and their own survival.

Ciro Galindo was born on August 29th, 1952 in Colombia. Wherever he's gone, war has found him. After twenty years of friendship, I understood Ciro 's life sums up Colombia's history. As so many Colombians he is a survivor, who has run away from war for more than sixty years, and now dreams of living in peace. "Ciro and Me" is a journey to memory, seeking to give sorrow words; a journey, similar to that of Colombia in times of peace, in search to recover its dignity.