Ciro y yo

Simon Reeve visits Colombia in the year of the pacification, at least on paper, between the government, 'aided' by right-wing death squads, and the Marxist FARC guerrilla, which was turning into an armed super-drug cartel and champion of ransom kidnappings. He speaks with people about the horror that hopefully nears its end and the prospects if both sides disarm.

What happened to painter Beatriz González, who made us laugh with the irony of her works, to get to the point of making a self-portrait that shows her crying naked? The path of the artist is intimately linked with the history of Colombia during the past fifty years.

María is an Amorúa girl; an indigenous group that traveled the savannas of Orinoquía as nomads. She lives with her grandmother Matilde, her sister diana and her cousins in Puerto Carreño, in the Colombia-Venezuela border. The amorúa are considered wild and are not literate. Matilde wants her granddaughters to learn to write and read to live better in this town of "rational whites" as they call us. The director follows María's life for 8 years from her childhood to her adolescence and invites her to travel the places her grandma did as a nomad.

A documentary on the massacre of Planas in the Colombian east plains in 1970. An Indigenous community formed a cooperative to defend their rights from settlers and colonists, but the government organized a military operation to protect the latter and foreign companies.

This documentary reveals the most violent part of the most violent city (Medellin) of the most violent country (Colombia) in the world. For around 75 minutes, different people from Medellin explain how difficult it is to live and survive in a city where violence, weapons, killing is common. Everyday, someone you know may die or get wounded by one of the different armed factions that struggle throughout the country and in the cities to take control over the population, drug cartel, politics, etc... sometimes for no reasons at all but fun.

After an extensive immersion work on abandoned childhood, Ciro Durán presents, from his point of view, the life of street children, who have broken all family ties and have regrouped to survive in the concrete jungle.

After 52 years of armed conflict the FARC guerrillas are about to hand over their arms in exchange for political participation and social inclusion of the poor. Ernesto is one of them. The much celebrated Colombian peace agreement throws Ernesto and the polarised society around him into chaos in which everyone is afraid of the future and their own survival.

The village of Tamaquito lies deep in the forests of Colombia. Here, nature provides the people with everything they need. But the Wayúu community's way of life is being destroyed by the vast and rapidly growing El Cerrejón coal mine. Determined to save his community from forced resettlement, the leader Jairo Fuentes negotiates with the mine's operators, which soon becomes a fight to survive.

A Matter of Land recounts the first year of application of Colombian's Land Restitution Act from the perspective of a community who decide to engage with the process. The film explores the tensions that arise when such communities come face to face with the complex institutions responsible for enforcing the law. The result of these tensions is a narrative worthy of Kafka, in which a doorway to justice is opened for the sole purpose of demonstrating that no one can pass through it.