The Girl with the Fork 2024 - Movies (Jan 29th)
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Sebastian 2024 - Movies (Oct 2nd)
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The Girl with the Fork 2024 - ()
Black Girls 2024 - ()
Freelance 2024 - ()
Sebastian 2024 - ()
Hounds of War 2024 - ()
A Quiet Place Day One 2024 - ()
Cabrini 2024 - ()
Flight Risk 2025 - ()
Dark Night of the Soul 2024 - ()
Juror #2 2024 - ()
The Fish Thief A Great Lakes Mystery 2025 - ()
Wicked 2024 - ()
In Between Stars and Scars Masters of Cinema 2024 - ()
Loch Ness Monster Captured 2024 - ()
Echoes Of A Hermit Solitude Resilience and the Power Of Writing 2024 - ()
The Pushover 2024 - ()
A Real Pain 2024 - ()
The Tattooist’s Son Journey to Auschwitz 2025 - ()
Tom Green I Got a Mule 2025 - ()
Monster on a Plane 2024 - ()
"Boys Life 3" is a compilation of gay-themed short films, and as with any compilation, some of the films are good and some aren't: "Inside Out" (Directed by Jason Gould) (4/5*) Jason Gould films in familiar territory, being the son of two celebrities. He plays Aaron, a struggling actor better known for his better-known parents. He gets set up by his friend Adam (Alexis Arquette) on a blind date with a closeted man, goes to the Church of Scientology, and is hounded by a tabloid photographer (Jon Polito). Gould makes some funny observations about being the son of Hollywood royalty, even bringing in real-life dad Elliott Gould. Christina Crawford shows up at a Survivors of Celebrity Parents support meeting, as does Summer Ladd, daughter of Cheryl Ladd. I wish more of Gould's ideas had a chance to draw out and become whole. He tries too hard to get a shot in at everybody, which does not work on a film that runs under half an hour. On the other hand, his light directorial touch is perfectly suited for his screenplay. Just One Time (Directed by Lane Janger) (4/5*) Anthony (Lane Janger) wants girlfriend Amy (Joelle Carter) to sleep with another woman as part of his fantasy "just one time." She then turns the tables on him. This is a vibrantly colored short, to the point, and very funny more because of its actors than Janger's screenplay. Cute stuff, women like Amy can probably relate, and maybe should try this? Hitch (Directed by Bradley Rust Gray) (3/5*) Two men, one gay and one possibly gay, drive around in a Volkswagen bus in the desert. This film had a great aged look to it, but the overuse of closeups was jarring, and it began to bore me. The two leads were good, but the script felt too light. Majorettes in Space (Directed by David Fourier) (4/5*) From France, this mockumentary ties in one heterosexual couple, one gay man, the production of condoms, the Pope, and the obvious fact that when a Cosmonaut calls his wife a "fat cow," he is using a metaphor. This is a very fast and freaky collection of images, and it not only works, but makes some kind of sense. Fourier is making a statement about AIDS and protecting oneself sexually, but he does not take his point and belabor it. $30 (Directed by Gregory Cooke) (4/5*) Teenage Scott (Erik MacArthur) is presented with thirty dollar teen prostitute Emily (Sara Gilbert) on his birthday, and she figures out why he is not interested in her. The final film is also a good effort, with MacArthur and Gilbert scoring major indie film points, and they have a really nice chemistry. Emily's character is not delved into much, because this is not her story. Cooke's direction is fine, if not a bit awkward here and there, and Christopher Landon's script is smart- watch for the inside joke concerning Emily's choice of TV viewing habits. A solid entry. "Boys Life 3" is recommendable based on all the films, with "Majorettes in Space" being the best film.
An Asian-American high school football player is forced to confront his deepest fears after a strange encounter with a mysterious figure.
A mysterious door in the basement of the Hercules house leads to the Sixth Dimension by way of a gigantic set of intestine. When Frenchy slips through the door, King Fausto falls in love with her. The jealous Queen Doris takes Frenchy prisoner, and it is up to the Hercules family and friend Squeezit Henderson to rescue her.
Rina wants to tell her best friend, Eli, about her arranged marriage, by dating her on the last night they could be together.
After exchanging glances between "good mornings" and "good afternoons", Marcelo realizes it's time to try to go further with Márcio, the doorman in his building. Two worlds will collide through these men's bodies.
In November 1918, a few days before the Armistice, when Lieutenant Pradelle orders a senseless attack, he causes a useless disaster; but his outrageous act also binds the lives of two soldiers who have nothing more in common than the battlefield: Édouard saves Albert, although at a high cost. They become companions in misfortune who will attempt to survive in a changing world. Pradelle, in his own way, does the same.
Waris Hussein’s acclaimed drama is based on the autobiography of Firdaus Kanga, who stars in the lead role of Brit, a young man born with brittle bone disease, which causes him to have never grown beyond four feet tall. The film follows his sexual awakening whilst his family simultaneously disintegrates all around him. An extremely moving drama confronting stereotypes around disability, sexuality and race, featuring a powerhouse performance from Kanga.
Aitana, Pierrick, Rita and Jorge are all in their twenties and all look for ways to make their nights in the city of Madrid a little less lonely. Aitana is a sweet girl trapped in a men’s body; Pierrick is a cute French gay; Rita doesn't much care about her partner, Carolina, and walks through life with no expectations; Jorge is trapped in a relationship with no future: the one he has with Maria. Set against a background of drugs, sex, multiple partners and differing sexualities, Longing Nights follows the individual stories of these young people. A candid portrait of four relationships highly loaded with eroticism from beginning to end. Four stories told without no borders between fiction and reality.
An awkward encounter at work carries two unassuming co-workers into a dreamy holiday weekend. A weekend that inevitably falls to pieces when Andy introduces Katherine to some friends. A surreal portrait of love and how pathetic it renders us.
They are in their thirties but live just as they did in their twenties. They are in love with love but, in their search, they tear each other apart, wandering from ex-girlfriend to ex-girlfriend, from relationship to relationship.
Mabel travels to her hometown to find the murderer of her friend Daniela. A journey through nostalgia, love and betrayal in a place where transgenderism once took on an unusual dimension.
The fictional Father Ángel de la Cruz is based on Legion of Christ founder Marcial Maciel, whose long history of child abuse was not addressed until 2006 and only publicly acknowledged in 2009. But director Luis Urquiza chooses to structure his film through the largely uncomprehending, wondering eyes of 13-year-old Julián, who travels from the arms of his loving pastoral family into the austere, hallowed halls of the seminary. Singling out the boy as his intimate disciple, installing him in his palatial private quarters and redubbing him “Sacramento Santos,” Father Ángel begins Julian’s instruction into the mysteries of “perfect obedience,” whose cardinal rule is: Never question a superior’s actions.