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The Five - (Jan 30th)
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Kidnap Thriller 101. Sarcastic Spoilers Within Review. Off the bat lets say it, Gone is not a very bad movie, it has the requisite mystery elements, Amanda Seyfried makes for an engaging lead as the once kidnapped girl who nobody seems to believe, the cinematography (Michael Grady) is high quality and there's some decent moments of chills along the way. Unfortunately the film just exists as a case of unadventurous screenplay writing. Gone is written by Allison Burnett, who writes it like some homework assignment set by a bored lecturer at a film studies class. Everything about it is rank and file what you have seen a million times before in this type of genre offering. A bunch of characters file in for cameos under the guise of red herrings, while our spunky heroine single handedly out-foxes the whole of the Portland police force, while naturally evading capture at every juncture. Everyone but Seyfried's character are just on the periphery of things, where the likes of Wes Bentley and Jennifer Carpenter stand around hoping for the script to give them something worthwhile to do. In fact Carpenter's character is a set up for a late plot development, only for it to be the last we see of her, which is just bizarre in hindsight. Then the "big" finale arrives and the serial killer/kidnapper arrives and gets afforded the same "none" time as everyone else. Nothing remotely original here, sadly. It serves decent enough as a time filler, but once the hopelessly weak finale plays its hand, you may come away asking yourself this question, why do films like this continually get green lit by studios when they have nothing more to offer other than putting another title on a budding actor's CV? 5/10
**Overall : Could it have been better? Sure. Was it awful? No.** If you checked out the reviews for this movie elsewhere, you read that it is an absolute piece of garbage. And that just isn't true. It's a run-of-the-mill thriller with a very good performance by Amanda Seyfried as the main character that ends a little differently than expected. I enjoyed guessing who the killer was as the movie offered multiple red herrings to throw you off. Not one that I would say rush out to watch, but if you got a random need to watch a decent b-movie thriller, then maybe check this one out?
In 1850 Oregon, when a backwoodsman brings a wife home to his farm, his six brothers decide that they want to get married too.
Charts the troubled teenage years of students Yūichi Hasumi and Shūsuke Hoshino, exploring the shifting and complex power dynamics of their relationship against the backdrop of Yūichi's love for the dreamy and abstract music of pop star Lily Chou-Chou.
Sabu and his pals hold a pauper's funeral for Sabu's mother. His brother Jiro arrives home, fresh out of jail, and Sabu pointedly states that Jiro is not invited. Jiro meanwhile is planning a big job - steal 40 million in cash and drugs, and he invites Sabu and gang to act as decoys, for 50,000 each. The sting is a success, but the double-crossing starts almost immediately. Sabu discovers how little of the take they were promised and hides the stash. Jiro and his slimy partner pressure the kids to fess up. Meanwhile, their respectable elder brother Ichiro is being leaned on by the town's big boss, whose money it was.
A police chief tries to solve a kidnapping that involves a bank robber holding a young boy hostage.
Delia Peletier has been paid to have a child for a wealthy man who wants an heir. She has the baby and turns it over to her "employer," but subsequently decides she wants the child back. She hires three men to kidnap the child. The quartet hides out in the house of Bernard Lapin, a nuclear scientist they believe to be away on business. Lapin returns, however, and becomes romantically involved with Delia. Meanwhile, her three kidnappers turn on her when they learn she actually wants the child and not the ransom money as she claimed.
The strange comedy film of two close brothers; one, Wilbur, who wants to kill himself, and the other, Harbour, who tries to prevent this. When their father dies leaving them his bookstore they meet a woman who makes their lives a bit better yet with a bit more trouble as well.
The heterosexual man Axel is thrown out of his girlfriends home for cheating and ends up moving in with a gay man. Axel learns the advantages of living with gay men even though they are attracted to him and when his girlfriend wants him back he must make a tough decision.
In the Salinas Valley in and around World War I, Cal Trask feels he must compete against overwhelming odds with his brother for the love of their father. Cal is frustrated at every turn, from his reaction to the war, how to get ahead in business and in life, and how to relate to his estranged mother.
Expecting the usual tedium that accompanies a summer in the Catskills with her family, 17-year-old Frances 'Baby' Houseman is surprised to find herself stepping into the shoes of a professional hoofer—and unexpectedly falling in love.
After getting a green card in exchange for assassinating a Cuban government official, Tony Montana stakes a claim on the drug trade in Miami. Viciously murdering anyone who stands in his way, Tony eventually becomes the biggest drug lord in the state, controlling nearly all the cocaine that comes through Miami. But increased pressure from the police, wars with Colombian drug cartels and his own drug-fueled paranoia serve to fuel the flames of his eventual downfall.