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One of those films where once again there is a huge difference between the critics' and the viewers' assessment. Which one will you choose? In the genre of war films, I'm slowly leaning towards the critic. In 'Brothers' each of the characters seems overdrawn to me. No one reveals anything surprising, everyone fulfills their cliché. The story strictly follows the black and white stereotype of the situation in Afghanistan, completely disregarding being coherent. A Marine has been missing for less than a year and his family is already living 3 chapters after that? If you've seen the trailer, you've seen the movie - because it underscores all the clichés you're promised in a good 2 hours. On a positive note, it has become a fast paced piece of work. But I got about as excited by the production as I did watching campfire TV at night.
I don't know what the point of this movie is. Just a guy who's crazy from ptsd. There's no point to the movie at all.
Two brothers cannot overcome their opposite perceptions of life. One brother sees and feels bad in everyone and everything, subsequently he is violent, antisocial and unable to appreciate or enjoy the good things which his brother desperately tries to point out to him.
Dr. Burke Ryan is a successful self-help author and motivational speaker with a secret. While he helps thousands of people cope with tragedy and personal loss, he secretly is unable to overcome the death of his late wife. It's not until Burke meets a fiercely independent florist named Eloise that he is forced to face his past and overcome his demons.
The divergent lives of twin brothers, Raúl, a violent policeman, and Valentín, a mentally handicapped man, cross paths again when the former decides to visit his family.
In 1987, five young men, using brutally honest rhymes and hardcore beats, put their frustration and anger about life in the most dangerous place in America into the most powerful weapon they had: their music. Taking us back to where it all began, Straight Outta Compton tells the true story of how these cultural rebels—armed only with their lyrics, swagger, bravado and raw talent—stood up to the authorities that meant to keep them down and formed the world’s most dangerous group, N.W.A. And as they spoke the truth that no one had before and exposed life in the hood, their voice ignited a social revolution that is still reverberating today.
Buddy Amaral, a successful and self-absorbed Los Angeles advertising executive, switches airline tickets with a stranger just before boarding a long-delayed flight so that he might enjoy an overnight fling with a pretty Dallas businesswoman. When the plane goes down, killing all aboard, Buddy's guilt soon turns into an alcohol problem. As part of his 12-step program, Buddy seeks atonement and decides to seek out the woman he thinks he's left a widow.
Desperate for companionship, the repressed Willard befriends a group of rats that inhabit his late father's deteriorating mansion. In these furry creatures, Willard finds temporary refuge from daily abuse at the hands of his bedridden mother and his father's old partner, Frank. Soon it becomes clear that the brood of rodents is ready and willing to exact a vicious, deadly revenge on anyone who dares to bully their sensitive new master.
The life and career of Italian opera singer Farinelli, considered one of the greatest castrato singers of all time.
Tom Ripley - cool, urbane, wealthy, and murderous - lives in a villa in the Veneto with Luisa, his harpsichord-playing girlfriend. A former business associate from Berlin's underworld pays a call asking Ripley's help in killing a rival. Ripley - ever a student of human nature - initiates a game to turn a mild and innocent local picture framer into a hit man. The artisan, Jonathan Trevanny, who's dying of cancer, has a wife, young son, and little to leave them. If Ripley draws Jonathan into the game, can Ripley maintain control? Does it stop at one killing? What if Ripley develops a conscience?
Joe Dirt is a janitor with a mullet hairdo, acid-washed jeans and a dream to find the parents that he lost at the Grand Canyon when he was a belligerent, trailer park-raised eight-year-old. Now, blasting Van Halen in his jacked-up economy car, the irrepressibly optimistic Joe hits the road alone in search of his folks.
A father, who can't keep his promises, dies in a car accident. One year later, he returns as a snowman, who has the final chance to put things right with his son before he is gone forever.
Rachel Carson, a best-selling crime novelist, is devastated and filled with guilt over the accidental death of her son. Hoping that a change of scenery will help alleviate her suffering, she leaves her home in the city and moves into a vacant country house owned by a friend and begins a relationship with charming local Angus. But, just as her life is taking a turn for the better, Rachel realizes she's being romanced by a ghost, leading her to doubt her own sanity.