Moana 2 2024 - Movies (Jan 27th)
Overkill 2024 - Movies (Jan 27th)
Mother Maker Lover Taker 2024 - Movies (Jan 27th)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Weekend in Taipei 2024 - Movies (Jan 27th)
September 5 2024 - Movies (Jan 26th)
Mummy Shark 2024 - Movies (Jan 26th)
Vermiglio 2024 - Movies (Jan 26th)
Companion 2025 - Movies (Jan 26th)
Vampire Genesis 2024 - Movies (Jan 26th)
A Haunting in Council House 2024 - Movies (Jan 26th)
Agent Recon 2024 - Movies (Jan 26th)
Get Fast 2024 - Movies (Jan 26th)
Emmanuelle 2024 - Movies (Jan 25th)
Bystanders 2024 - Movies (Jan 25th)
The Killers Game 2024 - Movies (Jan 25th)
Inheritance 2024 - Movies (Jan 25th)
The Intruder 2024 - Movies (Jan 25th)
90 Day- The Last Resort - (Jan 28th)
Kids Baking Championship - (Jan 28th)
The Neighborhood - (Jan 28th)
Geordie Shore - (Jan 28th)
Adam Richman Eats Football - (Jan 28th)
NCIS- Origins - (Jan 28th)
Sight Unseen - (Jan 28th)
The Beat with Ari Melber - (Jan 27th)
Murder UK - (Jan 27th)
Traffic Cops - (Jan 28th)
Love Island- All Stars - (Jan 27th)
Deal or No Deal - (Jan 27th)
The Bold and the Beautiful - (Jan 27th)
Deadline- White House - (Jan 27th)
Bargain-Loving Brits in the Sun - (Jan 27th)
Wipeout - (Jan 27th)
Four in a Bed - (Jan 27th)
Katy Tur Reports - (Jan 27th)
The Repair Shop on the Road - (Jan 27th)
Richard Osmans House of Games - (Jan 27th)
Hundreds of offshore wind turbines are being built in proximity to the habitat of endangered white dolphins, as a cetacean scholar tries to find a balance between development and marine ecology.
Sir David Attenborough unveils the two stunning underwater realms of Saudi Arabia - the flamboyant Red Sea and the contrasting hot muddy Gulf, capturing for the first time the rare event of Palolo worms spawning at night.
The film portraits the stage previous to the outbreak of the Mexican Revolution, from the end of Porfirio Díaz´ government, the social volatility, the ephemeral government of Madero and the presence of the working class in the figures of Villa and Zapata, until the signing if the Constitution of 1917. All of this through moving images, filmed during those events mainly by the Alva brothers, filmmakers of that time. Those images let us perceive the contradictory and shuddered glance of the people of that period.
A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.
Examines the life, work, and cultural significance of Gloria Anzaldúa, poet and visual artist, and those she inspired in women's Chicano art. The work highlights the struggle for women's and gay rights.
There is nothing left of the American dream on the Nine-a solemn destination, a resting place for those who have relinquished the dream. Modesto is a city that lies in California's Central Valley, a region devastated during America's Great Depression. Modesto's notorious South Ninth Street ("the Nine") is a no man's land where the rules of polite society do not apply. The people living along the Nine form a ravaged micro community whose Darwinian existence is a day to day hustle, and survival is by any means necessary.
On December 4, 1872, the unmanned Mary Celeste was found adrift in the Atlantic with its cargo fully intact. The mystery of this "ghost ship" remained unanswered for over 135 years. What happened to the Mary Celeste is widely regarded as the most famous mystery of the sea. Watch it unfold to its stunning conclusion, at last.
Around the film hang fascinating questions about border politics, which I’ll touch on in an introduction before the screening. One of Eugene Buck’s motivations for making the film may have been his rough cross-examination during his kidnappers’ first trials, in October 1913, when defense attorneys cast him as a confused and unreliable witness against idealistic freedom fighters. On film he could reproduce the pursuit, the shootouts, his kidnapping, and his friend’s murder just as he had testified. Reenacting the crime on film may have been the best revenge—and a way to honor the sacrifice of Deputy Ortiz, a twenty-year police veteran and, for the era, a rare Mexican American lawman.