Pitik ng Paglaya

Good Copy Bad Copy is a documentary about copyright and culture in the context of Internet, peer-to-peer file sharing and other technological advances.

A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.

A 2012 documentary about the making and the legacy of the 1982 drama masterpiece directed by Ishmael Bernal that ended up being one of the greatest Asian films of all time. The revelations about the theory of "Who killed Elsa?" will be answered and also, the impact of the film to the Filipino culture and society.

The testimony of the men who unwittingly became war photographers on the streets of their own towns in Northern Ireland, when violence erupted around them. Instead of photographing weddings and celebrities, as they expected, they produced the images that crudely show the suffering of ordinary people between 1968 and 1998, the worst years of the conflict.

The unfinished movie of the late Celso Ad Castillo now a Cinema One Originals documentary film.

The tale of an activist’s journey during the turbulent years of Martial Law, until his capture in the mountains and the dark, nine years of imprisonment that followed, leading to his birth as a poet.

A filmmaker follows her grandparents’ daily life after her chain-smoker and alcoholic grandmother is forced to stop drinking beer for a month.

This film explores the evolution of propaganda and public relations in the United States, with an emphasis on the elitist theory of democracy and the relationship between war, propaganda and class. Includes original interviews with a number of dissident scholars including Noam Chomsky, Howard Zinn, Michael Parenti, Peter Phillips (Project Censored), John Stauber (PR Watch), Christopher Simpson (The Science of Coercion) and others. A deep, richly illustrated study of the nature and history of propaganda, featuring some of the world’s most insightful critics, Psywar exposes the propaganda system, providing crucial background and insight into the control of information and thought.

Two street artists with contrasting intentions about the artform tell the relevance of street art in society while accompanied by an enigmatic graffiti writing, “Bon Jovi.”

This documentary shows the fascist might of the Marcos regime and how militarisation and human rights violations were institutionalised in Philippine political life. The film exposes the human rights violations during the Marcos regime, unmasking the dictator's claims that there were no political detainees under martial law. Arrogance of Power (1983, TRT 38 mins.) is a documentary by AsiaVisions (previously named Creative Audio-Visual Specialists or CAVS) made originally in Super 8 migrated to U-matic and digitized for access.