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Some kids in Brussels play a game based upon objects that were brought back from the Congo and which were used during the Hutereau expedition.
Sven Nykvist, best known as Ingmar Bergman cinematographer, made this film as a tribute to his father who was a missionary in Kongo in the early 20th century. The story of his father Gustav Natanael Nykvist is told through his own photos, letters, and films. Director & cinematographer: Sven Nykvist. Narrators in the English dubbed version: Liv Ullmann & Sean Connery. Produced by Ingmar Bergman (Cinematograph AB). Digitally restored in 2022.
Report retracing the military campaigns of the Belgian colonial troops in Africa through geographical maps, title cards, and documentary footage.
A band of mercenaries led by Captain Curry travel through war-torn Congo across deadly terrain, battling rival armies, to steal $50 million in uncut diamonds. But infighting, sadistic rebels and a time lock jeopardize everything.
A man performs the same ritual every day: he cleans his shoes, dresses up in his shiny blue suit, wears his white gloves and grey hat, and spends his time walking around Brazzaville. His presence generates an absurd apparition in the urban chaos of the city, which reflects the imaginary produced by one of the upmost icons of pop culture.
In June 2010, French actress Marion Cotillard spent a week in the heart of the tropical forests of the Democratic Republic of Congo with members of Greenpeace France and Greenpeace Africa. She delivers in video a strong testimony on the looting of Congolese forests which benefits a few industrial groups, often European.
Irish Commandant Pat Quinlan leads a stand off with troops against French and Belgian Mercenaries in the Congo during the early 1960s.
An investigation of the emotional and economic value of Africa's most lucrative export: filmed poverty. Deep in the interiors of the Congo, Dutch artist Renzo Martens single-handedly undertakes an epic journey and launches an emancipatory program that helps the poor become aware of what is their primary capital resource: Poverty. After three years of traveling through the Democratic Republic of the Congo he asks the question: "Who owns poverty?
As if they were showing their film to a few friends in their home, the Johnsons describe their trip across the world, which begins in the South Pacific islands of Hawaii, Samoa, Australia, the Solomons (where they seek and find cannibals), and New Hebrides. Thence on to Africa via the Indian Ocean, Suez Canal, North Africa, and the Nile River to lion country in Tanganyika. (They are briefly joined in Khartum by George Eastman and Dr. Al Kayser.) Taking a safari in the Congo, the Johnsons see animals and pygmies, and travel back to Uganda, British East Africa, and Kenya.
35 Cows and a Kalashnikov is a joyously made triptych about warrior-farmers, colorful dandies and voodoo wrestlers in Ethiopia, Brazzaville and Kinshasa. It paints a loving and attentive portrait of African pride and beauty.