Episode III: Enjoy Poverty

Some kids in Brussels play a game based upon objects that were brought back from the Congo and which were used during the Hutereau expedition.

The Democratic Republic of Congo in Africa is one of the world’s most resource-rich countries. A wide range of rare minerals can be found here in abundance, all commanding high prices in world commodity markets. Diamonds for jewellery, tantalum, tungsten and gold for electronics; uranium used in power generation and weaponry and many others. Congo has copious deposits of raw materials that are in high demand internationally but remains one of the poorest countries in the world. For our translator, Bernard Kalume Buleri, his country’s history of turmoil is very personal; like most Congolese people, he and his family fell victim to the unending mineral based power struggle. Born in the year of his country’s independence, he has lived through war and seen his homeland torn apart by violent looting and greed. His story is a damning testament, illustrating how nature’s bounty, instead of being a blessing, becomes a deadly curse.

Sven Nykvist, best known as Ingmar Bergman cinematographer, made this film as a tribute to his father who was a missionary in Kongo in the early 20th century. The story of his father Gustav Natanael Nykvist is told through his own photos, letters, and films. Director & cinematographer: Sven Nykvist. Narrators in the English dubbed version: Liv Ullmann & Sean Connery. Produced by Ingmar Bergman (Cinematograph AB). Digitally restored in 2022.

A man performs the same ritual every day: he cleans his shoes, dresses up in his shiny blue suit, wears his white gloves and grey hat, and spends his time walking around Brazzaville. His presence generates an absurd apparition in the urban chaos of the city, which reflects the imaginary produced by one of the upmost icons of pop culture.

A chronicle of the violence that occurred in much of the African continent throughout the 1960s. As many African countries were transitioning from colonial rule to other forms of government, violent political upheavals were frequent. Revolutions in Zanzibar and Kenya in which thousands were killed are shown, the violence not only political; there is also extensive footage of hunters and poachers slaughtering different types of wild animals.

Report retracing the military campaigns of the Belgian colonial troops in Africa through geographical maps, title cards, and documentary footage.

As if they were showing their film to a few friends in their home, the Johnsons describe their trip across the world, which begins in the South Pacific islands of Hawaii, Samoa, Australia, the Solomons (where they seek and find cannibals), and New Hebrides. Thence on to Africa via the Indian Ocean, Suez Canal, North Africa, and the Nile River to lion country in Tanganyika. (They are briefly joined in Khartum by George Eastman and Dr. Al Kayser.) Taking a safari in the Congo, the Johnsons see animals and pygmies, and travel back to Uganda, British East Africa, and Kenya.

35 Cows and a Kalashnikov is a joyously made triptych about warrior-farmers, colorful dandies and voodoo wrestlers in Ethiopia, Brazzaville and Kinshasa. It paints a loving and attentive portrait of African pride and beauty.

In June 2010, French actress Marion Cotillard spent a week in the heart of the tropical forests of the Democratic Republic of Congo with members of Greenpeace France and Greenpeace Africa. She delivers in video a strong testimony on the looting of Congolese forests which benefits a few industrial groups, often European.