Ikuska 4: Euskal Telebista

'Ama Lur' is a documentary, directed by Nestor Basterretxea and Fernando Larruquert, that premiered in San Sebastián in 1968, and it is considered the foundation of Basque cinema.

A documentary view of the Basque ball-game in which a small hard leather ball is hit against a wall. The film gives an impression of the game itself and of those who play it, not only the star performers (and the myths that surround them), but also those who just play in the streets and alleyways. The film sees the game it its cultural context and conveys the emotions and stories that are peculiar to the Basque country.

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

The six-decade transformation of a block of houses, shown by means of artfully featured archival shots, highlights the beauty and sadness of human-made decay. In the blink of an eye 66 years pass by and a savings bank replaces a church.

Is it possible to travel twice to the same memory? The filmmaker built a cabin on an isolated riverbank, just opposite his childhood island, which had disappeared under the water after the construction of a dam. The goal was to go back to that place, which had become invisible. Only the trees of the island where he’d played stood firm in the middle of the water, like the masts of a broken toy boat, so the air was the only space left, the only vestige of the past to be conquered. This film is a diary of a castaway in memories: four months of a Walden experience in a lost paradise with two hens, a small vegetable garden and a clock that stopped forever at 11.36 and 23 seconds.

Even though her program was only seen in four Midwestern cities, Ruth Lyons presided over America's highest-rated daytime TV talk show for nearly two decades! This documentary draws upon rare and previously undiscovered footage, along with comments from associates and admirers to create a portrait of an outspoken, multi-talented woman who became one of the most beloved and influential figures in TV history. Featuring the Recollections Of: Carol Channing, John Davidson, Phyllis Diller, Phil Donahue, David Letterman, Johnny Mathis, Peter Nero, Bonnie Lou, Nick Clooney, Oscar Robertson and many others, along with archival audio and video of Ruth Lyons' 50-50 Club.

I Ramones is a half-hour of concert footage captured in Rome in 1980, just after the release of the Phil Spector-produced album End of the Century. Shot on film, it laid forgotten in the vaults of an Italian television station for two decades after its one-time broadcast.

Roger Boussinot directed this episode of the French television show Italiques, which features an overview of the art and career of Fantastic Planet illustrator Roland Topor. It aired on August 8, 1974.

As ITV's move from its iconic base on Quay Street to the Orange Tower at MediaCityUK nears completion, this tribute looks back at 56 years of Granada television. Beginning from its inception in 1954, including rare archive footage of its co-founders, brothers Sidney and Cecil Bernstein, replays archive clips of some of the programmes and performances filmed and produced there - from Coronation Street, Prime Suspect, Jewel In the Crown, and Stars In Their Eyes, to the television debuts of The Sex Pistols, Take That, and the Beatles.

Short educational film about television

Details the impact of television on people and social institutions.