Ama Lur

An attempt to create a bridge between the different political positions that coexist, sometimes violently, in the Basque Country, in northern Spain.

Kukutza III was a gaztetxe (self-managed social centre) in the neighbourhood of Rekalde, Bilbao. It was occupied in 1998, and it was evicted by the police in 2011. The documentary shows some activities that were hosted by the gaztetxe.

The chronicle of the process, ten long years, that led to the end of ETA (Euskadi Ta Askatasuna), a Basque terrorist gang that perpetrated robberies, kidnappings and murders in Spain and the French Basque Country for more than fifty years. Almost 1,000 people died, but others are still alive to tell the story of how the nightmare finally ended.

The history of the citizens' movement that for thirty years worked hard to overcome fear, fight hatred and eradicate the violence exercised by the savage terrorist gang ETA, both in the Basque Country and in the rest of Spain.

An ethnographic documentary which looks at the relationship between music and work in predominantly rural cultures. It depicts the lives of fisherman, shepherds and farmers and their relationship with music. The film also describes Basque ancestral instruments, with special emphasis on the origin and history of ‘bertsolarism’ (Basque verse singing) as a form of oral communication.

An in-depth interview with José Antonio Urrutikoetxea, known as Josu Ternera, one of the most relevant leaders of the terrorist gang ETA.

In a temple in Thailand, an order of Buddhist monks are performing a ceremony for people who headed there to get re-incarnated. There, we meet Tarn, a young Thai woman who lived in the Basque Country some years ago and who is still fascinated with that region, food and culture.

Not unlike the travel blogs so in vogue today, this film takes us from Ereaga beach to Cape Matxitxako, treating us to an incomparable look at the beaches and towns on the way.

A peculiar in-depth reflection on the concept of homeland reflecting the atmosphere of Basque farmhouses with the participation of emblematic figures in the Basque culture of the period, like the bertsolaris (improvisers of Basque verse) Valentin Enbeita and Jon Lopategi and the Basque dancer Victor Olaeta. To avoid the censorship in place at the time, Elortza entitled the film 'Erria' (Country) rather than 'Aberria' (Homeland).