Forgive Me Father 2024 - Movies (Dec 2nd)
Juror #2 2024 - Movies (Dec 2nd)
The Final Days of Adolf Hitler 2024 - Movies (Dec 1st)
Once Upon a Time in Amityville 2024 - Movies (Dec 1st)
The Desiring 2024 - Movies (Dec 1st)
Surprise 3 2024 - Movies (Dec 1st)
My Nanny Stole My Life - Movies (Dec 1st)
Princess Halle and the Jester 2024 - Movies (Dec 1st)
Route 60 The Biblical Highway 2023 - Movies (Dec 1st)
Believe in Christmas 2024 - Movies (Dec 1st)
Holiday Touchdown A Chiefs Love Story 2024 - Movies (Dec 1st)
Heightened 2023 - Movies (Oct 2nd)
Sebastian 2024 - Movies (Oct 2nd)
Knox Goes Away 2023 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Aiden 2024 - Movies (Nov 30th)
A Good Enough Day 2024 - Movies (Nov 30th)
Bringing Christmas Home 2023 - Movies (Nov 30th)
Never Let Go 2024 - Movies (Nov 30th)
Music Box Yacht Rock A DOCKumentary 2024 - Movies (Nov 30th)
Married to Medicine - (Dec 2nd)
60 Minutes - (Dec 2nd)
90 Day Pillow Talk Before the 90 Days - (Dec 2nd)
Somebody Somewhere - (Dec 2nd)
Tracker - (Dec 2nd)
The Sunday Show with Jonathan Capehart - (Dec 2nd)
Before They Kill Again - (Dec 2nd)
Sister Wives - (Dec 2nd)
Alien Files- Reopened - (Dec 2nd)
Yellowstone Wardens - (Dec 2nd)
Holiday Wars - (Dec 2nd)
Sorry, I Didnt Know - (Dec 2nd)
Mark McKinney Needs a Hobby - (Dec 2nd)
Yellowstone - (Dec 2nd)
Homestead Rescue - (Dec 2nd)
90 Day Fiance- Before the 90 Days - (Dec 2nd)
Dune- Prophecy - (Dec 2nd)
Im a Celebrity... Unpacked - (Dec 1st)
The Equalizer - (Dec 1st)
Have I Got a Bit More News for You - (Dec 1st)
Documentary following Serbian football coach Zoran Đorđević as he helps form South Sudan's first national football team.
Documental about the Second Independence of Chile. Images and videos from the period before and after September 11th, 1973
Independence Day celebrations in Ghana, including ceremonies and pageants and the opening of the Ghana Parliament by the Duchess of Kent. The commentary makes a strong plea for racial tolerance, as well as mentioning the possibility of united all-black African continent.
Anna, Pina, Teresa reinterprets the pivotal scene in Rossellini’s “Roma Città Aperta” where Anna Magnani, who plays the character Pina, (based on the story of Teresa Gullace,) is murdered on the streets of Rome by the Fascist police. This scene is characterized by three movements performed by Magnani — resistance, running and falling. Filmed in the Sala Scherma at Foro Italico in Rome (Mussolini’s fencing studio designed by Moretti) Anna, Pina, Teresa examines the contemporary and historical dynamics between an urban Fascist space and movements of resistance.
The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.
Brown sauce spills onto the plate and table in Wolfram Kohler's collage-like exploration of politics in South Tyrol during the explosive and nationalist commemoration year of 1984.
Everyone knows the story of Paul Revere and his famous midnight ride to warn colonial forces of the British approach. But history books don't tell of the man who sent Revere on his mission: Joseph Warren, America's least remembered founding father. Uncover the forgotten history of Warren and stories of other unsung heroes in our fight for independence in The American Revolution.
"Africa Light" - as white local citizens call Namibia. The name suggests romance, the beauty of nature and promises a life without any problems in a country where the difference between rich and poor could hardly be greater. Namibia does not give that impression of it. If you look at its surface it seems like Africa in its most innocent and civilized form. It is a country that is so inviting to dream by its spectacular landscape, stunning scenery and fascinating wildlife. It has a very strong tourism structure and the government gets a lot of money with its magical attraction. But despite its grandiose splendor it is an endless gray zone as well. It oscillates between tradition and modernity, between the cattle in the country and the slums in the city. It shuttles from colonial times, land property reform to minimum wage for everyone. It fluctuates between socialism and cold calculated market economy.
The essay by René Vautier, "Déjà le sang de Mai ensemençait Novembre", starts with the recapitulation of the representations of Algeria throughout the history of visual arts in France in an effort to explore the causes for the quest for independence.
The film’s events take place on a single day: August 24, 2022, the day Ukraine celebrates the 31st anniversary of the renewal of independent statehood. The film combines places and people that best capture the country’s wartime spirit. The locations are: the relatively safe cities of Kyiv and Lviv; the cities under daily missile fire of Kharkiv and Mykolaiv; a trench at the frontlines near Donetsk; and the beaches of Odesa. The film presents a day in the life of a beach police patrol, a woman anti-tank missile operator, a water delivery driver, a mortar unit soldier, a rapid assault unit soldier, a 14-year-old pub janitor, an artist and a former member of parliament. Together, these people and places create an engaging mosaic of a day in the life of Ukraine.
Functions without theaters, murals without walls, clothes without fabrics and students without schools says the necessary about the state abandonment and but also talent and creativity of Colombians, which it has nothing to lose. The documentary tells the story of the beginnings and resilience of several artist from Barranquilla in different disciplines in continuing to maintain and diversify the living culture, that remain to exist.