American Sports Story - (Oct 2nd)
Seoul Busters - (Oct 2nd)
Fat Joe Talks - (Dec 2nd)
Panorama - (Dec 2nd)
The Last American Vagabond - (Dec 2nd)
Moving Houses NZ - (Dec 2nd)
The Real Housewives of Potomac - (Dec 2nd)
Married to Medicine - (Dec 2nd)
60 Minutes - (Dec 2nd)
90 Day Pillow Talk Before the 90 Days - (Dec 2nd)
Somebody Somewhere - (Dec 2nd)
Tracker - (Dec 2nd)
The Sunday Show with Jonathan Capehart - (Dec 2nd)
Before They Kill Again - (Dec 2nd)
Sister Wives - (Dec 2nd)
Alien Files- Reopened - (Dec 2nd)
Yellowstone Wardens - (Dec 2nd)
Holiday Wars - (Dec 2nd)
Sorry, I Didnt Know - (Dec 2nd)
Mark McKinney Needs a Hobby - (Dec 2nd)
What started as a drama about a Russian police plot to steal a billion dollars from a US financier and to murder his faithful tax lawyer Sergei Magnitsky, has become a real life investigation of contradicting versions of the crime.
A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.
A "National Geographic" film crew is taken hostage by an insane hunter, who takes them along on his quest to capture the world's largest - and deadliest - snake.
Christof Wackernagel, best known in Germany as an actor and former member of the Red Army Faction ("RAF") lives in Mali. In his compelling portrait, Jonas Grosch shows a man who simply cannot stand still if he senses injustice. The courage to stand up for one’s beliefs coupled with vanity? However one chooses to look at it, it is easy to imagine what made him connect with the "RAF". With his irrepressible will for freedom, Christof Wackernagel gets entangled in the horrors of day-to-day life in Africa.
In Africa, Slim and Tom don't like it when a German tyrant starts selling all of the African wildlife to Canadian zoos. Slim and Tom must teach this guy a lesson by beating the hell out of him and his gang.
The compelling story of one of the most successful mountain gorillas that has ever lived - a huge silverback called Titus. The programme starts in 1967, when the researcher Dian Fossey first made contact with a group of mountain gorillas in Rwanda. She opened up a window on to their secret lives. Forty years on, this film reveals the complete and dramatic life story of one individual animal. Titus's father was murdered by poachers in front of his very eyes. His mother abandoned him in the subsequent chaos. His family disintegrated. He should have died. But we reveal how Titus survived against all the odds. Titus's present day trials and tribulations take the viewer back in time to reveal key moments in Titus's history. Using testament from eyewitnesses, the film relives one individual mountain gorilla's extraordinary battle for survival.
Summoned from an ashram in Tibet, Ace finds himself on a perilous journey into the jungles of Africa to find Shikaka, the missing sacred animal of the friendly Wachati tribe. He must accomplish this before the wedding of the Wachati's Princess to the prince of the warrior Wachootoos. If Ace fails, the result will be a vicious tribal war.
After an Ithaca College student films his one-night stand with a beautiful sorority girl, he discovers one of his friends has accidentally mailed the homemade sex tape to his girlfriend in Austin. In a frenzy, he must borrow a car and hit the road in a desperate bid to intercept the tape.
This film is dedicated to Maria Lai, an artist born in 1919 in Ulassai, Sardinia. Surrounded and inspired by the ogliastra countryside, the cyclopic guardian of plots and landslides, Maria Lai uses inert materials like stone, concrete, asphalt, metal and wood to work old and new legends into librettos of individual works, installations and interventions, thus becoming part of the landscape that calls to her. In making this film the authors have confided in the artist’s role as a spokeperson, and it is as if one is listening to the voice of a wild olive tree - both millenary and contemporary - a voice that knows what to say (and can say whatever it wants) from beyond the boundaries of reality, history, nature and art. As that tree, the artist - confident of her roots - with a sound sense of rhythm and scansion, multiplies big and small stories, just as she did with the bread and fish in Santa Barbara di Ulassai along the way to the country church.