No me dejaron llorar

A documentary exploring sexism and patriarchy in Kosova.

Examines how a US value system built on the extreme masculine ideals of money, power and control has glorified individualism, institutionalized inequality, and undermined the ability of most Americans to achieve the American Dream.

Radical feminist Andrea Dworkin's expose on the pornography industry.

Six young people discuss the "gender affirming" medical care they received for gender dysphoria and how they subsequently came to believe this was the wrong treatment.

Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.

A documentary in which 5 men describe their experiences with gender dysphoria as they wrestled with feelings of inadequacy as men, and their ultimate pursuit to find peace in their natural bodies.

Explores the evolution of patriarchy as one effective way of organizing mass societies, from evidence in ancient Egyptian villages along the Nile.

Artist Daniel Crook unpacks masculinity one painting at a time.

Absolute pleasure as an identity. Alfonso de Sierra, Luis Escribano, Ramón Massa, Ces Martí and Enric Bents were “Els 5 QKs”, a group of amateur filmmakers who, in 1975, decided to get together and create a transgressive and courageous filmography breaking social, religious, and political boundaries; placing the faggot as leading role hero: proud of himself, shameless, beyond good and evil. In this documentary film, Luis Escribano and Ces Martí, only living members of the group, review, alongside some actors, their creative process and what those films, forgotten till now, meant to Barcelona during La Trancisión.

In this funny and erotic mockumentary, director Toby Ross takes an out of the box look at homosexuals - dividing them into two major groups: those who are into it for the sex and those who are looking for relationships. The live reenactments are an eyeful and it goes through all the levels and strands of gay guys. Out and proud, fringe homos, closet cases by design, country fags, and more.