O Silêncio dos Homens

In 2013, online clay animator Robert Benfer scammed hundreds of fans out of thousands of dollars and has continued to become less of the independent film icon he used to be, though his unique influence on video creators remains to this day. This film not only sheds light on how Benfer's films impacted young filmmakers, but also how a talented independent artist can fall from grace no matter how obscure they are.

A documentary exploring sexism and patriarchy in Kosova.

Documentary about emigration between the Canary Islands and Cuba during the late 19th century and early 20th century.

A documentary about socialising and society in early 1970s New Zealand.

A documentary taking its cues from children's imaginative flights of fancy.

When Logan Paul's fifth friend Mike Maljeek drops a bombshell about his Flat Earth beliefs, Logan and the team strap on their tin foil hats and embark on a journey to find the truth, follow along as they spiral down the two-dimensional rabbit hole, meeting colorful characters and confronting outrageous theories.

Notes on Summer is a 2023 short movie shot in Italy and France. It is up to you to grasp the meaning, because the meaning is always different, nevertheless, I want to dedicate this film to all those who already know what to do even before starting their holidays.

'Do you feel cheaper?' We are filming young Lithuanian men working in Sweden. They do not want to be caught on camera, they do not want to participate in creating yet another media image of guilt and pity. They film us. We empty a bottle of moonshine, we dance on their porch. They might let us film them tomorrow. Second Class is a time document about class, respect, the value of work and human being.

Examines how a US value system built on the extreme masculine ideals of money, power and control has glorified individualism, institutionalized inequality, and undermined the ability of most Americans to achieve the American Dream.

A cinematic essay interweaving private archive images and a mixture of reflective, speculative and poetic intertitles that, like “an old movie from the 20th century”, invites us to meditate on what Des Pallières once liked to call “our old homeland”.