Jazz Casual: Dave Brubeck

This is the full ten minute film from which the Russ Morgan "Meet The Bandleaders" segment was created on video in the 1980s. It features Russ in his first year, singer Linda Lee, and Lewis Julian, a former NBC page boy. Also featured is 22-year-old Billy Fisher on saxophone and clarinet (in front of the bass drum), who later played with Al Donahue and the CBS Orchestra. He was later the arranger for the Ed Sullivan and Jackie Gleason shows and the Tony Awards.

An egotistical saxophone player and a young singer meet on V-J Day and embark upon a strained and rocky romance, even as their careers begin a long uphill climb.

In the 1930s, jazz guitarist Emmet Ray idolizes Django Reinhardt, faces gangsters and falls in love with a mute woman.

The documentary film on the life and legacy of Rahsaan Roland Kirk – a one of a kind musician, personality, activist and windmill slayer who despite being blind, becoming paralyzed, and facing America’s racial injustices - did not relent.

The Hot Club of Montevideo is a Uruguayan cultural institution founded in 1950 by the pianist Paco Mañosa, along with his brother and some friends who played together. It was the first club dedicated exclusively to jazz in Latin America.

A vibrant tribute to one of America's legendary bandleaders, charting Glenn Miller's rise from obscurity and poverty to fame and wealth in the early 1940s.

Duke Ellington's fifty year career was full of accomplishments as a highly original pianist, arranger, prolific composer and leader of a timeless orchestra. On occasion he recorded with a small group from his orchestra or as a piano soloist, but Duke was rarely filmed in that capacity... with a few exceptions. On January 23, 1967, Ellington filmed two programs for Danish television. The first has him jamming with an octet taken from his orchestra, including such greats as altoist Johnny Hodges, tenor-saxophonist Paul Gonsalves, baritonist Harry Carney and trumpeter Cat Anderson. Highlights include "The Jeep Is Jumpin'," "Sophisitcated Lady" and "Jam with Sam." The second program puts the focus on Ellington's piano, in solo and trio performances that include "Lotus Blossom," "Mood Indigo," and a definitive version of "Take the 'A' Train." Always a modern and distinctive soloist, Ellington is seen creating brilliant improvisations full of strong melodies, subtle surprises and sly wit.

The daughter of a preacher becomes the centerpiece for a conservative political campaign but finds herself falling in love with a woman.