Have I Got a Bit More News for You - (Dec 1st)
Highland Cops - (Dec 1st)
Martin Scorsese Presents- The Saints - (Dec 1st)
Countryfile - (Dec 1st)
Strictly Come Dancing- It Takes Two - (Dec 1st)
Saturday Kitchen Best Bites - (Dec 1st)
Sunday Brunch - (Dec 1st)
Face Jams Truckd Up - (Dec 1st)
Girl Meets Farm - (Dec 1st)
Lucky - (Dec 1st)
Love Your Weekend with Alan Titchmarsh - (Dec 1st)
EXOs Travel the World on a Ladder - (Dec 1st)
The Swiss Family Robinson- Flone of the Mysterious Island - (Dec 1st)
The Late Late Show - (Dec 1st)
Invincible Fight Girl - (Dec 1st)
Motorway- Hell On The Highway - (Dec 1st)
The Beat with Ari Melber - (Dec 1st)
The Sunday Show with Jonathan Capehart - (Dec 1st)
Dispatches - (Dec 1st)
Cooking Buddies - (Dec 1st)
Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Viennese composer Wolfgang Amadeus Mozart.
In this documentary portrait prepared for the anniversary of Ludwig Van Beethoven's 200th birthday, Leonard Bernstein illustrates his analysis with excerpts from his performances of Beethoven's Piano Concerto No. 1 in C Major and the Ode to Joy from the Ninth Symphony.
A young girl falls in love with a young conductor in Vienna, and they marry. However, their marriage is threatened by a wealthy man.....
Barcelona’s Palau de la Música Catalana, one of the world’s most beautiful concert halls, hosted Gustavo Dudamel and the Münchner Philharmoniker with an unforgettable performance of Mahler’s Symphony No. 2 “The Resurrection”. The composer emphasizes life and death in all its terrible and stunning splendour in this overwhelming opus: “There is nothing except the complete substance of my whole life”, he remarked on his all-embracing oeuvre. Gustavo Dudamel, who said it was “a privilege to conduct this work in this unique venue”, and his ensemble were celebrated with more than ten minutes of applause.
Young Stanzi who is visiting Vienna helps a young corporal and musician to become famous for his marching song "Die Deutschmeister".
Set against the backdrop of a 1960s jungle seaport in tropical Australia and the rich concert halls of wintry Vienna, talented eighteen year old pianist Paul Crabbe moves to an exotic outpost of far Northern Australia. There, he is forced to study under the only piano teacher his father can find – the eccentric, enigmatic Herr Keller, a Viennese refugee with a shadowed past. Living above a dilapidated hotel in the dripping heat of this seaport, Keller is known to the locals as 'Maestro', a broken, elegant drunkard. But who is he? Does he come from a lineage of great European pianists, or is he a fraud?
Pollini plays flawlessly, with the greatest finesse and sensitivity, very much in tune with each composer's personal style. His performances are exemplary in every respect. The video and audio are quite acceptable, given their 1970s vintage. Böhm and Abbado are at home in this repertoire, and the Wiener Philharmoniker in excellent form, notwithstanding a few strange noises coming from the horns.
Elmer Fudd introduces two pieces of classical music: "Tales of the Vienna Woods" and "The Blue Danube", and acted out by Bugs Bunny, Porky Pig, Laramore the Hound Dog, a family of swans, and a juvenile Daffy Duck.