Rabbi Löw

Mamay draws on traditional Ukranian and Tatar folktales for its Romeo and Juliet-like love story and parable about chivalry and the struggle for freedom. Hundreds of years ago, in the wild steppes of Crimea that form an uneasy border between East and West, Europe and Asia, nomad and farmer, the proud Cossack Mamay falls in love with the Tatar beauty Omai. The title, like the storyline, holds a variety of different meanings taken from different cultures. In Turkic languages, it means "no one," but it was also the name of a famous Mongol conqueror, the great grandson of Ghengis-Khan. In Persian legends, mamay literally means "the spirit of the steppes. "

Robin Hood fights nobly for justice against the evil Sir Guy of Gisbourne while striving to win the hand of the beautiful Maid Marian.

Composed of six unconventional vignettes, each one dealing with the late communist period in Romania, a narrative is told through its urban myths from the perspective of ordinary people. The title refers to the alluded "Golden Age" of the last 15 years of Ceauşescu's regime.

Inspired by a Malay legend about two friends whose relationship is tested by conflicting loyalties.

Tells the story of the greatest natural disaster of the ancient world, an event that experts believe inspired the legend of Atlantis.

7000 years ago, Ayodhya's Prince Raghava and Prince Sesh along with the Mighty Vanar Warriors travels to the island of Lanka with an aim to rescue Raghava's wife Janaki, who has been abducted by Lankesh, the king of Lanka.

Two storytellers put forth their versions of the story of Shravan Kumar. The art for the film uses painted images from a wooden portable shrine called a Kaavad. The film is a collaborative work between traditional Kaavad storytellers and Kaavad artists from Rajasthan, together with the filmmaker. Combining lush animation with live-action, the film is an interpretation of two stories which are forever fused in the act of telling and retelling.