Břetislav a Jitka

In the mountains of the Basque Country, a mother and her daughter take shelter in a ruined hut that seems uninhabited.

Osman is a jealous and proud gentleman. Zala, who must have married him at a young age is unhappy. Avci, caught in a storm and had to take refuge in his hut, is an attractive young man who knows how to take advantage of his environment.

Mavka, a water nymph, loves Lukash, a country youth. Their brief happiness ends when Lukash is forced to marry the shrewish Kilina. The Spirit of the Forest turns Lukash into a wolf as punishment for his infidelity. The strength of Mavka's love breaks the spell, but Kilina curses the nymph, transforming her into a weeping willow. This beautiful and tragic story is based on a play written in 1912 by Lesya Ukrainka, a Ukrainian poet, writer and political, civil and female activist, and includes mythological characters taken from Ukrainian folklore.

Laughter and Grief by the White Sea is a 1987 Soviet traditionally animated feature film directed by Leonid Nosyrev made at the Soyuzmultfilm studio. The film is a celebration of the culture of the Russian Pomors who live around the White Sea.

Composed of six unconventional vignettes, each one dealing with the late communist period in Romania, a narrative is told through its urban myths from the perspective of ordinary people. The title refers to the alluded "Golden Age" of the last 15 years of Ceauşescu's regime.

Pocahontas, daughter of a Native American tribe chief, falls in love with an English soldier as colonists invade 17th century Virginia.

Robin Hood fights nobly for justice against the evil Sir Guy of Gisbourne while striving to win the hand of the beautiful Maid Marian.

A darker reimagining of the classic Robin Hood tale, which will see the character as a battleworn loner grappling with his past after a life of crime and murder, and who finds himself gravely injured and in the hands of a mysterious woman who offers him a chance at salvation.

Based on a local legend and set in an unknown era, it deals with universal themes of love, possessiveness, family, jealousy and power. Beautifully shot, and acted by Inuit people, it portrays a time when people fought duels by taking turns to punch each other until one was unconscious, made love on the way to the caribou hunt, ate walrus meat and lit their igloos with seal-oil lamps.

Siegfried, son of King Siegmund of Xanten, travels to Worms, capital of the Burgundian kingdom, to ask King Gunther for the hand of his sister, the beautiful Kriemhild.