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Now I am not usually a particular fan of Bill Nighy but in this he is very much at the top of his game. An adaptation of Kurosawa's "Ikuru" (1952), the setting is shifted to London where Nighy is the fastidious "Mr. Williams". A local civil servant heading up the public works department of the London County Council. His small team has some new blood in the form of "Mr. Wakeling" (Alex Sharp) whose baptism in the department is to accompany three ladies (and the audience) on a revelative journey through the pillar-to-post red tape that "Williams" himself facilitates - all guaranteeing that very little actually ever gets done! Leaving early one day, we discover that this erstwhile precise and predictable individual is seriously ill. Unable and/or unwilling to divulge this information to his son, he absconds to the seaside where he encounters "Sutherland" (Tom Burke) who gives him a relaxing tour of the local hotspots before he return to London and happens upon one of his team "Miss Harris" (Aimee Lou Wood). A posh luncheon ensues and the elderly gent and his young colleague start to bond. This bond soon has - unbeknown to either of them - tongues wagging, but when she gets a new job he finds himself drawn to her. Drawn to her joie de vivre and general enthusiasm for a life he knows he will not have for too much longer. That becomes contagious as he decides to apply himself, and his team, to achieving at least one more thing in a professional capacity! It is a gently paced and evocative story that deals with that sense of re-prioritisation faced by anyone when faced with a profound change in circumstances. Nighy has a delightfully understated manner to his performance here, Wood is also effective as his increasingly valuable confidente and Oliver Hermanus manages to retain much of the charm and subtly potent impetus of the original Ishiguro story. It is beautifully scored by Emilie Levienaise-Farrouch who incorporates original and powerful themes with established classical ones. The costumes and overall aesthetic of the film complements well the classy and impressive performances that resonated in quite a thought-provoking, and multi-layered fashion as I watched it. I was engaged by this from start to finish and I really quite enjoyed it.
This is one of the better “quiet” movies, as I call them, that I have watched in a long time. Bill Nighy seems to excel in restrained roles, where he speaks quietly and shows emotion subtly. I am thinking especially of The Girl in the Cafe, where he oddly enough also plays a civil servant. Nighy is wonderful and methodical (in a good way) as a man who is thawing out from a repetitious, paralyzed life after he receives life-altering news. He even impresses when he sings a song in the same quiet, restrained manner. A flashback is applied in an odd way nearer the end of the movie, but it works as an imaginative way to fill in the details of the ending. I fully expect to watch this again.
Jonathan is poised to marry the daughter of a wealthy tycoon. The couple appears picture perfect, until the eve of their engagement party, when an unexpected guest threatens to destroy Jonathan's plans for the future.
A story about the love and friendship that takes place in an era where a man and a woman communicate through radio by chance.
In 1899, Lord Kang must decide which of his three sons will take over his family's Chinese banking empire. When circumstances dictate that he appoint his unreliable youngest son, family bonds are pushed to the limit as father and son clash in a climate of political turmoil. Winner of the Special Jury Award at the 2009 Shanghai International Film Festival.
An aspiring poet in 1950s New York has his ordered world shaken when he embarks on a week-long retreat to save his hell raising hero, Dylan Thomas.
Continuing the story of Aurora Greenway in her latter years. After the death of her daughter, Aurora struggled to keep her family together, but has one grandson in jail, a rebellious granddaughter, and another grandson living just above the poverty line.
In 1970s London, Scotland Yard orchestrates the downfall of mob boss Vic Dakin after he crosses the line by blackmailing Members of Parliament.
In 1818, high-spirited young Fanny Brawne finds herself increasingly intrigued by the handsome but aloof poet John Keats, who lives next door to her family friends the Dilkes. After reading a book of his poetry, she finds herself even more drawn to the taciturn Keats. Although he agrees to teach her about poetry, Keats cannot act on his reciprocated feelings for Fanny, since as a struggling poet he has no money to support a wife.
A bruised and battered corpse in Shibuya, Tokyo has the attention of the local cops. A veteran detective is assigned to the case. The last utterance of the victim is one clue that detective Imanishi has to work on. Yet, the case becomes more tangled quickly. Elsewhere, a prodigy named Waga Eiryo is composing an orchestral piece. Remake of The Castle of Sand (1974).
In the backdrop of 1995 East London, not all is as it seems as Frenchy persuades his eccentric gang to steal from The Stanfields, an impregnable family run drug ring.
A powerful drama relating the intimate aspect of teenage boys and their priest/educators behind the walls of a religious institution where rigid discipline backfires natural feelings are deemed unnatural acts and human lives are controlled in the names of good intentions.
