War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
The briefest of cameos from Tim Wilkinson informs us that due to inheritance rules, the second “Mrs. Dashwood” (Gemma Jones) and her daughters are going to be at the mercy of his son upon his demise. That fellow (James Fleet) is actually quite a kindly soul, but his rather more mercenary wife “Fanny” (Harriet Walter) reckons they can be left to get by with just their annuity of £500. With daughters “Elinor” (Emma Thompson); “Marianne” (Kate Winslet) and “Margaret” (Emilie François) to keep, that’s going to be quite a task. Luckily, widower distant cousin “Sir John” (Robert Hardy) and his lively mother-in-law (Elizabeth Spriggs) invite them to lodge in a well-appointed cottage on their estate. That’s where the family settle and each of the girls gradually becomes embroiled in romance. For “Elinor” it’s the dashing but shy “Ferrars” (Hugh Grant) who takes her fancy. Talking of dashing, there’s also the charming “Col. Brandon” (Alan Rickman) who is keen on young “Marianne” - but her attentions are divided between him and the handsome doctor “Willoughby” (Greg Wise). Meantime, whilst all this courting and counter-courting is going on, the young “Margaret” is totally besotted on “Ferrars” too! I usually found Jane Austen stories tended to follow a fairly predictable pattern, but the potpourri of characters here are aided by some really quite witty dialogue and some glorious scenery and build together engagingly. There’s an amiable degree of charm, haplessness and political incorrectness on display too as the writer takes quite a swipe at the ridiculousness of so many aspects of life for and amidst the landed gentry and it’s middle class associates. The headline roles all deliver well enough, but it’s maybe the engaging dynamic between Hardy and Spriggs that raises most smiles for me. The costumiers and designers have crafted a classy looking production and the screen adaptation does wonders for a time when the mantra was definitely more “why use one word when you can use ten”.
Lin Xiao, Gu Li, Nan Xiang, Tang Wanru - these four best friends, after waving goodbye to their school campus and entering the workforce, they are faced with various challenges in their life: friendship, love, and career. Together, they become lost in life, having long forgotten their past courage.
An unemployed Brit vents his rage on unsuspecting strangers as he embarks on a nocturnal London odyssey.
An injured RAF pilot, confined to a wheelchair is committed to an eerie hospital where he starts to lose his mind.
One day Sammy and his younger sister Ellie happen upon a cabin where Alice, a young, partially deaf girl with epilepsy is being kept by her abusive stepfather. The three soon become friends and hope to get Alice an education and help her escape from the torture she undergoes daily. However, Alice's stepfather soon finds out about the friendship Alice has struck up and punishes her brutally. This story of friendship and youth shows that everyone is human and deserves to be treated so, no matter their disability or weakness.
Bruce Macdonald follows punk bank Hard Core Logo on a harrowing last-gasp reunion tour throughout Western Canada. As magnetic lead-singer Joe Dick holds the whole magilla together through sheer force of will, all the tensions and pitfalls of life on the road come bubbling to the surface.
The family of Raymond, his wife Val and her brother Billy live in working-class London district. Also in their family is Val and Billy's mother Janet and grandmother Kath. Billy is a drug addict and Raymond kicks him out of the house, making him live on his own. Raymond is generally a rough and even violent person, and that leads to problems in the life of the family.
A busy executive learns during a meeting that his mother may be dying and rushes home to her side. He ends up being his father's caretaker and becomes closer to him than ever before. Estranged from his own son, the executive comes to realize what has been missing in his own life.
During a dark time in the Heian period, when evil forces threaten the kingdom, the emperor relies on the onmyōji to keep the supernatural forces in line. But as political events become highly charged, friction within the order leads to betrayal. Now, Seimei, a talented member of the clan, must face down his master, Dōson, in the hopes of restoring peace to the kingdom.
Various stories of how crack cocaine has infiltrated the inner-city streets. Based on Buddy Giovinazzo's novel "Life is Hot in Cracktown".
The Harvester is a 1927 American silent comedy film directed by James Leo Meehan and starring Orville Caldwell, Natalie Kingston and Will Walling. It is an adaptation of the 1911 novel of the same name by Gene Stratton-Porter, which was later remade as a sound film in 1936.