The Royal We 2025 - Movies (Mar 2nd)
I Want to Violently Crash into the Windshield of Love 2024 - Movies (Mar 2nd)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Fight or Flight 2025 - Movies (Feb 28th)
My Hero Academia Youre Next 2024 - Movies (Feb 28th)
Den of Thieves 2 Pantera 2025 - Movies (Feb 28th)
Marked Men Rule + Shaw 2025 - Movies (Feb 28th)
The Golden Voice 2025 - Movies (Feb 28th)
Raduaa Returns 2024 - Movies (Feb 28th)
Cold Wallet 2024 - Movies (Feb 28th)
Uppercut 2025 - Movies (Feb 28th)
Bookworm 2024 - Movies (Feb 28th)
The Thinking Game 2024 - Movies (Feb 28th)
Gladiator II 2024 - Movies (Feb 28th)
Finding Tony 2024 - Movies (Feb 27th)
Captain America Brave New World 2025 - Movies (Feb 27th)
Kraven the Hunter 2024 - Movies (Feb 27th)
Red One 2024 - Movies (Feb 25th)
Alex Witt Reports - (Mar 2nd)
48 Hours - (Mar 2nd)
Inside with Jen Psaki - (Mar 2nd)
The Tommy Tiernan Show - (Mar 2nd)
SkyMed - (Mar 2nd)
Forensics- The Real CSI - (Mar 2nd)
The Kelly Clarkson Show - (Mar 2nd)
The Late Late Show - (Mar 2nd)
SAKAMOTO DAYS - (Mar 2nd)
Sunday Brunch - (Mar 2nd)
MotoGP Unlimited - (Mar 2nd)
Family or Fiance - (Mar 2nd)
Australian Idol - (Mar 2nd)
Married at First Sight - (Mar 2nd)
Have I Got News for You - (Mar 2nd)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
"Kafuku" (Hidetoshi Nishijima) is an accomplished stage actor who is directing a performance of Chekhov's "Uncle Vanya" with a group of young actors. He arrives at the venue in his red Saab motor car, determined that only he will drive himself. That's not the policy of the theatre, though, and soon he is placed in the capable hands of the somewhat laconic "Misaki" (Tôko Miura) and as the two start to get used to one and other, and he starts to get to know his new cast, the story unfolds revealing his past - his marriage to a famous playwright that ended in tragedy, and of his driver's own demons as the pair - entirely platonically - begin to fill the gaps left in each other's lives by times gone by. I did quite enjoy this, there are quite a few quirks to the story, not least from the handsome and curiously enigmatic 'Kôji" (Masaki Okada) whose storyline intertwines intriguingly with that of his mentor, and the film adopts a pace of it's own which you will appreciate right from the start (or not!). The dialogue is sparse though, perhaps a little too much so at times, and at almost three hours long it can feel like a bit of a slog at times. Director Ryûsuke Hamaguchi has possibly over indulged himself a little with the style of the film, it dawdles, cinematographically speaking, and I suppose at the title suggests, there are quite a few scenes suggesting that more of a road trip movie might be in order. It is still a very easy film to watch, it requires concentration and somehow the fact that it's that Chekhov play seems apposite, too. I would see it on a big screen if you can - I suspect on television even the most focussed of us might find our attention wandering after a while.
I find this film to be a near perfect drama. I understand that most Americans and perhaps younger viewers everywhere will not appreciate the pacing of the movie. There are two things about this movie that make it an actor's movie. First is the play within the play: the play within is Chekhov's Uncle Vanya, and, like most Russian classics, it's about the human condition and the response to suffering. It's the play within the play because the film slowly reveals a mirror of Chekhov's play itself. Second, some playwrights have the gift of writing dialog that leaves the real storytelling to the unspoken dialogue - Shakespeare, Pinter, Stoppard - they all had this gift, and I nominate Hamaguchi to this list. It is amazing to watch this kind of production because it only survives with the richness and depth of the acting. It is the sole reason that theater companies can do these kind of plays and each version is completely unique. Even if you are not aware of this aspect of a play, Lee Yoo-na (Park Yu-rim) pointed out that her silence allowed her to see the deeper dialogue more clearly. As to the pacing? It's a brilliant reflection of the way Kafuku (Hidetoshi Nishijima) was directing Uncle Vanya.
Mary is a 12-year-old Dublin schoolgirl bravely facing the fact that her beloved Granny is dying. But Granny can’t let go of life, and when a mysterious young woman turns up in Mary’s street with a message for Granny, Mary is pulled into an unlikely adventure. The woman is the ghost of Granny’s own mother, who has come to help her daughter say good-bye to her loved ones and guide her safely out of this world. She needs the help of Mary and her mother, Scarlett, who embark on a road trip to the past. Four generations of women travel on a midnight car journey. One of them is dead, one of them is dying, one of them is driving, and one of them is just starting out.
Tabloid reporters are sent by their editor to investigate after the paper recieves a letter from a woman claiming an angel is living with her.
Intercutting dramatic vignettes with newsreel footage, the story follows the characters from an infantry squad as they make their way from Sicily to Germany during the end of World War II.
Tampering with life and death, Henry Frankenstein pieces together salvaged body parts to bring a human monster to life; the mad scientist's dreams are shattered by his creation's violent rage as the monster awakens to a world in which he is unwelcome.
If youth is the most intense stage of life, it is also the farthest Tere can be from herself. In his life, a group of students who rent the apartment opposite enter. They celebrate parties, sleep little and eat badly. Tere welcomes a boy in his house looking for a room to rent. Among them will be created an affinity that, little by little, will come to resemble that of any mother with her child, if it were not for Tere sees him in another way. The invisible life of a woman grown on the margins of others' lives, in collision with a world of shitty curros, hangovers, Tinder ligues and trap music.
On the first day at his new school, Cameron instantly falls for Bianca, the gorgeous girl of his dreams. The only problem is that Bianca is forbidden to date until her ill-tempered, completely un-dateable older sister Kat goes out, too. In an attempt to solve his problem, Cameron singles out the only guy who could possibly be a match for Kat: a mysterious bad boy with a nasty reputation of his own.
A psychiatrist becomes romantically involved with the sister of one of his patients, but the influence of her controlling gangster husband threatens to destroy them both.
Born under unusual circumstances, Benjamin Button springs into being as an elderly man in a New Orleans nursing home and ages in reverse. Twelve years after his birth, he meets Daisy, a child who flits in and out of his life as she grows up to be a dancer. Though he has all sorts of unusual adventures over the course of his life, it is his relationship with Daisy, and the hope that they will come together at the right time, that drives Benjamin forward.
Margaret Jarnette discovers that her husband Victor has been cheating on her and confronts him. Outraged, Victor has his lawyer rewrite his will so that in the event of his death, his brother Richard will get custody of his daughter Muriel, and his wife won't. When Victor dies shortly afterward, Richard suspects that Margaret had murdered him and takes custody of Muriel. However, he soon begins to suspect that things may not be quite as cut-and-dried as he thought they were.
A woman struggles to recover from a brutal attack by setting out on a mission for revenge.
In this, the sequel to Jean de Florette, Manon has grown into a beautiful young shepherdess living in the idyllic Provencal countryside. She plots vengeance on the men who greedily conspired to acquire her father's land years earlier.