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You can't steal from a man just because you don't know his name. Catlow is directed by Sam Wanamaker and adapted to screenplay from the Louis L'Amour novel by Scott Finch and J.J. Griffith. It stars Yul Brynner, Richard Crenna, Leonard Nimoy and Daliah Lavi. Filmed in Metrocolor/Panavision, photography is by Ted Scaife and music by Roy Budd. One time buddies in the Civil War, Catlow (Brynner) and Cowan (Crenna), are now on opposite sides of the law. Let the shenanigans begin! Catlow is one of those Oaters that is - in spite of its ordinariness - so harmless to the point it's near impossible to dislike with genuine displeasure. Essentially it finds Brynner and Crenna as pals constantly playing cat and mouse with each other, all while they are entangled in danger (courtesy of Mexican soldiers, Indians and Nimoy's vengeful gunman) and affairs of the heart (Lavi and the beautiful Jo Ann Pflug). It's all very formulaic, and directed as such, but there's still a lot going for it. Everybody seems to be having a good time of things, with some hamming it up on purpose - obviously with a tongue in cheek nod to Spaghetti Westerns - others relishing chances to exude ebullience (Lavi) and gruff meanness (Nimoy). There's some truly funny moments, with witty dialogue to match, and the action scenes are as solid as the rock formations that boom out of the Almeria locations. Budd's musical score is a bit hit and miss, often sounding like it belongs in an episode of Alias Smith and Jones as opposed to a full feature length film, while there's a lack of an edge to make the finale be anything other than run of the mill. Tis fun though! Pic looks lovely, with TCM HD channel showing a print that extols the virtues of having a top cinematographer on lens duties. Harmless and enjoyable enough, even if ultimately it's forgettable once over. 6/10
While the Civil War rages on between the Union and the Confederacy, three men – a quiet loner, a ruthless hitman, and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.
Ageing, wealthy, rancher and self-made man, George Washington McLintock is forced to deal with numerous personal and professional problems. Seemingly everyone wants a piece of his enormous farmstead, including high-ranking government men and nearby Native Americans. As McLintock tries to juggle his various adversaries, his wife—who left him two years previously—suddenly returns. But she isn't interested in George; she wants custody of their daughter.
When Rocklin arrives in a western town he finds that the rancher who hired him as a foreman has been murdered. He is out to solve the murder and thwart the scheming to take the ranch from its rightful owner.
Wealthy rancher Bick Benedict and dirt-poor cowboy Jett Rink both woo Leslie Lynnton, a beautiful young woman from Maryland who is new to Texas. She marries Benedict, but she is shocked by the racial bigotry of the White Texans against the local people of Mexican descent. Rink discovers oil on a small plot of land, and while he uses his vast, new wealth to buy all the land surrounding the Benedict ranch, the Benedict's disagreement over prejudice fuels conflict that runs across generations.
Jim Killian arrives in a small Arizona town hoping to establish a peaceful life as the local preacher, but he soon finds himself in the middle of a feud between sheep ranchers and cattlemen. Leloopa, a young Native American woman, pleads for Killian's help after her shepherd father is hung by Coke Beck, the vicious son of the head cattle rancher. Killian must weigh his actions carefully lest he perpetuate the cycle of retribution and revenge.
An authoritarian rancher rules an Arizona county with her private posse of hired guns. When a new Marshall arrives to set things straight, the cattle queen finds herself falling for the avowedly non-violent lawman. Both have itchy-fingered brothers, a female gunman enters the picture, and things go desperately wrong.
When rancher and single mother of two Maggie Gilkeson sees her teenage daughter, Lily, kidnapped by Apache rebels, she reluctantly accepts the help of her estranged father, Samuel, in tracking down the kidnappers. Along the way, the two must learn to reconcile the past and work together if they are going to have any hope of getting Lily back before she is taken over the border and forced to become a prostitute.
Renegades trying to get the army to abandon their fort get the Indians addicted to whiskey, then convince them to attack and drive out the soldiers.
Old Surehand and his faithful old friend Old Wabble are on the trail of a cold-blooded killer with the nickname 'The General'. The brother of Old Surehand was murdered by him. On the way Old Surehand and Old Wabble are involved in the running conflict between settlers and Comanches who are likely to go on the war path. Old Surehand can count on the support of his friend and blood brother Winnetou, the amiable chief of the Apaches. Written by Robert
Filmed at the Theatre Royal Drury Lane during its two scheduled performances on January 17-18, 2022, tells the story of Bonnie and Clyde. At the height of the Great Depression, Bonnie Parker and Clyde Barrow went from two small-town nobodies in West Texas to America's most renowned folk heroes and the Texas law enforcement's worst nightmares. Fearless, shameless, and alluring, Bonnie & Clyde is the electrifying story of love, adventure and crime that captured the attention of an entire country.
It's 1885 in Arizona and an Army Captain has dispersed his troops to keep the whites off of Government land thereby keeping the peace with the Apaches. But there are those in Tucson that want the miners back looking for gold and they put pressure on officials in Washington. Soon a new commander arrives, the troops are recalled, and the miners go after gold. Whites then kill a miner with an arrow so they can attack the Indians hoping the troops wipe them out when they retaliate.