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You gotta doctor in this town? Go get him! Heaven with a Gun is directed by Lee Katzin and written by Richard Carr. it stars Glenn Ford, Carolyn Jones, Barbara Hershey, John Anderson, David Carradine, J.D. Cannon and Noah Beery Jr. Music is by Johnny Mandel and the Metrocolor/Panavision cinematography is by Fred Koenekamp. This is a good ole late 1960s Oater, not one to rush out and see immediately, or quickly part with your cash to buy or rent - or go out and steal. But it has Glenn Ford, who maybe in the twilight of his career, but still a bad mutha with gun, shovel and a pulpit! Yep, the punching preacher indeed. Lambs to the slaughter. It's the town of Vinegarroon and a war is raging between cattle and sheep breeders. Into this walks Jim Killian (Ford), a famed gunfighter who has come to build a church and preach the bible. However, Pastor Jim is not afraid to use his guns in the name of the Lord! The God Squad. It is what it is in that respect, the cheeky kicker here is that Killian is unorthodox in his methods, anyone wanting to come to church will be guaranteed safety, important since Killian is trying to convince the cattle and sheep barons that they can co-exist, that the animals (all God's creatures of course) can do it, and thus so can the humans. Naturally some are more keen to give it a try than others - cue intimidation and bloodshed, Killian clearly has his work cut out here... The musical score is a touch out of place, one big turn of events feels completely unnecessary, while the delectable Hershey works hard but never comes close to convincing as a girl of Indian blood. Converseley the Arizona locales are nicely prominent, while Anderson does his stuff, Carradine fits well as a dastard hot-head and Beery Junior is a reassuring presence. As is Ford, a Western actor that fans can rely on, to feel safe around, it is he that keeps this on the good side of good. 7/10
**_Life in the Wild West between Christianity, saloon-life and gun-violence_** A seasoned gunslinger comes to a town in the Southwest (Glenn Ford) where he finds himself aiding sheepherders against proud cattlemen (John Anderson, David Carradine, Noah Beery Jr., etc.). Yet his real intention is to start a church (!). Carolyn Jones is on hand as a saloon operator. "Heaven with a Gun” (1969) was originally announced in the mid-50s as a vehicle starring Gregory Peck. A dozen years later it was finally shot with Ford as the lead and the addition of some fashionable elements inspired by the late 60s, like Barbara Hershey as the hippie-like half-breed, including a scene where she sits naked outside the preacher’s house amazed by the starry panorama. The obvious comparison would be “Pale Rider” (1985), but Ford’s pastor is thoroughly mundane compared to Eastwood’s ‘preacher,’ lacking the vague supernatural angle of that later flick. The script commendably shows a real West of working cattlemen and respectfully fleshes them out in the second half, but the sympathetic commentaries regarding the mogul’s son (Carradine) by his father (Anderson) and the ramrod (Beery Jr.) are wasted since it had been established by that point that Coke is a detestable piece of you-know-what. Then again, what happens to him is fitting. Angelique Pettyjohn is a highlight on the feminine front as prostitute Emily; she was 25 during shooting and never looked better. You might remember her from her most popular role as Shahna in the Star Trek episode "The Gamesters of Triskelion" where she wore a futuristic tinfoil bikini. Here she has a surprising nude scene that’s more artful than offensive (but be warned if nudity offends you). The biggest problem with the film is the shallow tip of the hat to pacifism under the guise of being biblical when it’s actually hypocritical. To explain, the protagonist gives up his firearms at the end to nobly confront the situation in a nonviolent manner, but the situation is resolved by another man with a gun. I suppose such doublespeak could be defended on the grounds that the wise MIDDLE GROUND between absolute pacifism and rash violence is the way to go. In other words, speak softly and strive for peace, but carry a big stick for when you might need it. As for absolute pacifism being biblical, it’s not; LIMITED pacifism is. Sure, the Lord told Peter in Gethsemane “Those who live by the sword will perish by the sword,” but his initial instruction was for Peter to “put the sword back in its place,” NOT throw it away (Matthew 26:52). There’s a difference between living by the sword and utilizing it when necessary, which explains why some of the disciples carried swords during their ministerial travels in the first place (fully known by Christ). A good example of limited pacifism is when the returning Hebrews restored the walls of Jerusalem, they posted armed guards for protection from deadly enemies (Nehemiah 4:7-9). Simply put, in a wicked world arms are sometimes necessary, such as any potentially life-threatening situation. There’s enough good in “Heaven with a Gun” to make it worth checking out, but the storytelling is a little tedious even though spliced with interesting bits. It needed a rewrite to flush out its potential. The film runs 1 hour, 41 minutes, and was mostly shot in Arizona, including Old Tucson. GRADE: B-/C+
A blind, but deadly, gunman, is hired to escort fifty mail order brides to their miner husbands. His business partners double cross him, selling the women to bandit Domingo. Blindman heads into Mexico in pursuit.
Cattle king wants Reagan's small ranch, and Latina beauty Lola McLaughlin. His men kill Reagan's pregnant wife. Reagan leaves his tin badge on Consuela's grave, and with Winchester, scattergun, and Colt, rides alone against a hundred.
After the 1860s Wild West, a group of misfit settlers - including ex-doctor Phil Taylor, prostitute Belle, and homosexual bookseller Julian - decide they cannot live in their current situation in the west. They hire a grizzled alcoholic wagon master by the name of James Harlow to take them on a journey back to their hometowns in the East.
Rosario, the niece of the rancher, returns to the ranch after ten years of absence. She takes in Margarito, a worker at the ranch, who is immediately smitten by her. Rosario is rescued from a runaway horse by the Seven Men, an outlaw a la Robin Hood that steals from the rich and gives to the poor. He also happens to be the twin brother of Margarito, unbeknownst to him. The confusion between Margarito and the Seven Men generates great comical situations in the film.
Gene goes after the badguys after they kidnap the baby he should have been babysitting.
Singing cowboy Whip Wilson, the foreman on a cattle drive, quits his job to pursue five bank robbers who murdered his brother.
Wealthy rancher Bick Benedict and dirt-poor cowboy Jett Rink both woo Leslie Lynnton, a beautiful young woman from Maryland who is new to Texas. She marries Benedict, but she is shocked by the racial bigotry of the White Texans against the local people of Mexican descent. Rink discovers oil on a small plot of land, and while he uses his vast, new wealth to buy all the land surrounding the Benedict ranch, the Benedict's disagreement over prejudice fuels conflict that runs across generations.
An ex-con returns to his rural Ontario roots and outwits a corrupt and wealthy thoroughbred owner trying to take over a slew of local farms. Ray Dokes, a charming ex-ballplayer, returns from jail to discover the rural landscape of his childhood transformed by urban development. Determined to stay out of trouble, Ray heads to the farm of his old friend Pete Culpepper, a crusty Texas cowboy who trains losing racehorses and whose debts are growing faster than his corn.
Four unwitting heroes cross paths on their journey to the sleepy town of Silverado. Little do they know the town where their family and friends reside has been taken over by a corrupt sheriff and a murderous posse. It's up to the sharp-shooting foursome to save the day, but first they have to break each other out of jail, and learn who their real friends are.
An ex-con seeks revenge on the man who put him in prison by planning a robbery of the latter's stagecoach, which is transporting gold. He enlists the help of a partner, who could be working for his nemesis.
Released from a navy hospital following WW II, Lon Evans learns that he faces eventual blindness and returns to his Wyoming ranch. He sees a beautiful white stallion named Starlight and his cowhands Lem and Yancy say he is a killer and cannot be trained. Lon disproves this by training the stallion to act as his guide in preparation for his future blindness.