Живые камни Саксайуамана

In this documentary film a team of researchers examine the social contexts that influenced the emergence and permanence of heavy metal music in Chile, Argentina, Mexico and Peru. Colonialism, dictatorships, terrorism and neoliberal exploitation serve as points of reference for how heavy metal in the region has been directly linked to each country's social and political context.

This Traveltalk series short looks over the South American Andes mountains, and the South American west coast, also Rio de Janeiro.

Vladimir 518, uncompromising rapper, artist, stage designer and activist, is a rare phenomenon, who not only writes books, but publishes them as well. Today also a respected authority primarily on pre-1989 architecture, he has written not only a major publication on the subject, but also the story for two audiovisual works treating the same theme, which were shot by Jan Zajíček, renowned director of music videos. In addition to the recent TV series we have the eagerly anticipated feature-length film which, through its fascinating and impressive exploration of Czech and Slovak architecture of the latter half of the 20th century, offers exclusive insight into extraordinary buildings and unique individuals living below the Tatra Mountains. Karel Och (kviff.com)

In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)

Ski Peru is the story of two skiers’ dream of descending the untamed slopes of Huascaran, although maybe 'Ski Peru and die' would be a more appropriate title given the tragic climax to Peter Chrzanowski’s Peruvian odyssey. Filmed long before today’s adrenaline charged ski videos on heavy 16mm movie cameras there is no heavy rock soundtrack, no helicopters, no roboskiers mainlining powder at Mach 5.0. It is a slow moving film that explores man’s relationship with the mountain and what it is to ski into the unknown.

Combining real footage, archival footage, fiction and 3D modeling, this unseen documentary traces the history of this spectacular and unfinished work.

A film essay investigating the question of what “the West” means beyond the cardinal direction: a model of society inscribed itself in the Federal Republic of Germany’s postwar history and architecture. The narrator shifts among reflections on modern architecture and property relations, detailed scenes from childhood, and a passed-down memory of a “hemmed-in West Germany,” recalling the years of her parents’ membership in a 1970s communist splinter group.

Urban architecture as seen through the eyes of four female veterans in the field.