Rêveuses de villes

'Magical Imperfection' tells the inspirational story of world-renowned Canadian architect Raymond Moriyama. Imprisoned in his own country during the 1940s because of his race, Ray found the strength to combat injustice by devoting his career to social justice and equality.

With the help of a team of experts and the latest in 3-D scanning technology, Alexander Armstrong, along with Dr Michael Scott, explores the hidden underground treasures that made Rome the powerhouse of the ancient world.

Sacsayhuamán, an ancient citadel amidst the Peruvian Andes, is an architectural marvel. It was built more than 900 years ago, and no living person knows how such large rocks were fitted so perfectly into walls. This documentary takes us on a tour of Sacsayhuamán, offering a brief history of the site, and clues that may help to its understand how it was made. It was edited from photos and video taken in July 2012, when Russian geophysicists conducted soil research there, at the request of Peru's Ministry of Culture.

Arata Isozaki: Early Work in Japan takes a detailed look at the architect's pieces, exploring applauded projects such as the EXPO '70 Osaka Festival Plaza, Gunma Prefectural Museum of Modern Art and Kitakyushu Municipal Library. The extraordinary series of architectural breakthroughs made during this time contributed significantly to the evolution of contemporary architecture worldwide, and eventually gained him his first foreign commission

The Finnish architect Alvar Aalto (1898–1976) is one of the great figures of modern architecture, ranked alongside Gropius, Le Corbusier and Mies van der Rohe. This film analyses Aalto’s uniquely successful resolution of the demands and possibilities created by new technology and construction materials with the need to make his buildings sympathetic both to their users and to their natural surroundings. His inventive use of timber in particular represents both a reference to the forest landscape of Finland and a building material that is ‘warm’ and extremely adaptable. Filmed in Finland, Italy, Germany and the USA, this documentary shows how the Finnish natural environment and art traditions were essential elements in Aalto’s pioneering harmonization of technology and nature.

Tadao Ando (b.1941) is a world-renowned architect, and a recipient of the Pritzker Architecture Prize. His calm, minimalist architecture with elegant concrete designs reflects the Zen principle of simplicity. In the film he reveals the experience a building should evoke, as he discusses a number of iconic designs, such as The Row House and The Church of Light.

In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)

Inaugurated in 1986 by François Mitterrand, a link between the Louvre and Pompidou, Orsay houses the largest collection of Impressionist art in the world. Project after project, the museum has been transformed to modernize and welcome more visitors, while preserving its historic character. Challenges taken up with each new project.

Art critic Waldemar Januszczak is on the quest to explain exactly what the Sistine Chapel's ceiling is actually trying to tell us.

25 BIS is an intimate portrait of a masterpiece from the beginning of Auguste Perret’s career: the building located on 25 Bis, Rue Franklin in Paris. The film looks for the intangible and subjective element of the building’s history: the depth of its human print. The building appears as a sedimentation of life stories where each layer has left the trace of a passage. From the intimate nature of these stories, the film draws this fragile and undefined essence that could be called “the soul of the place”.