Üçüncü Günün Adamı

An Azerbaijanian veteran of battle for Brest fortress takes gun again 50 years later - to defend Nagorny Karabakh from Armenians.

A classic and at the same time unrealistic and phantasmagoric love story with betrayal and hatred. A woman's ruthless hatred of her husband suddenly starts to surface in the programs of the TV channel she has co-founded with her husband.

Tells the story of the life and multifaceted heritage of Mirza Fatali Akhundzadeh , the founder of Azerbaijani drama, a great public figure, who left an indelible mark on the history of Azerbaijani and Middle Eastern literature . The film depicts three periods of the playwright's life - childhood, youth and old age.

1944. Three wounded officers from both sides of political conflict meet in the hospital where the staff is politically divided too.

Sequel to Fəryad (1993).

The film is about the life of two brothers. One has caused another to have physical restriction and now the guilty lives with that suffer of regret. Apart from a society things happen, all these complicated psychological troubles, emotions and tragedy of a man, seeking answers in questions of humankind, the whole image turns into a absurd rebus in the time.

Criminals kidnap the seven years old daughter of a large Azerbaijani businessman Rustam Ibragimov. The purpose of the kidnappers - the father's refusing of the high post in the government. The girl being taken through Belarus to smuggle to Europe. However, the girl manages to escape from his pursuers. Polina - a simple village woman finds the terrified child.

The film is about a family of shepherds who keep animals in the Caucasus mountains. The sudden arrival of autumn, the snowfall in the mountains, the closure of the migration route put the shepherd in a difficult situation. Realizing that he would not be able to move back all his animals, he leaves his 14-year-old son behind. The teenager has to protect himself and his animals from both the snowstorm and the wolves that attack the village. The baby lamb given to him by his uncle and a picture magazine given by a young artist girl traveling to the mountains provide the only moral support to the lonely child.

The story unfolds in Bilbao. Rocío (Emma Suárez), is in love with Mario (Antonio Banderas), a free rider with a lot of face that, to top it all, is partner of the business of her father, Domingo (Francisco Rabal) with whom she maintains incestuous relations. When Domingo passes away, both Mario and Rocío's mother have to put to the front of the business, finishing with the inheritance that could receive Rocío. In the midst of her frustration, a young business worker, secretly in love with Rocío, will try to have the legacy of her father end up in the hands of his rightful heiress.

A young woman with a broken family is looking for happiness. She wants to remarry to get rid of loneliness, so she decides to use the Internet. The film also reflects the impact of the current transition period, economic and political changes on the intellectual families of Baku. But more women and their psychology came to the fore. The psychological crises of a modern woman, family relationships are reflected in the film.