Garai Txarrenak

Humans use technology to improve their lives, to forge connections, to create time that doesn’t exist, to replace real interactions. When we devise a second version of ourselves on social media, do we lose a piece of our true selves in the process? Do our digital connections threaten our real life relationships? What happens if the filtered characters we’ve imagined take on a life of their own?

Flavio, immersed in the sadness of nostalgia and regret, faces his daily loneliness, seeking solace in the solitary ritual of smoking a cigarette. Each puff becomes a journey back in time, an immersion in a parallel dimension that brings to light the moments shared with Alberto. The warmth of those hugs, the echo of shared laughter and the tears that bathed their cheeks become present, as if they had just happened. Every blurry image that surfaces, every fleeting glance that materializes and every whispered word that resonates reveal the fragile nature of human balance and the profound gravity of the choices that shaped their relationship. But in that very smoke lies a strange consolation, a sense of acceptance that begins to germinate in his heart. He accepts the end of the relationship, with all its painful consequences, and launches himself into a new future, leaving behind what has been and opening his arms to the unknown that awaits him.

Desperate for clients, Isabelle, the owner of a small bookstore, accepts the offer to teach Caetano, an elderly illiterate man, how to read. The lessons turn into conversations about life and the history about their lives, even with contrasting experiences and opportunities. She begins to see in the lessons and in the closeness with her student a vocation never explored before.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

An electrician is trapped in a looping room and goes mad.

A master thief coincidentally is robbing a house where a murder—in which the President of the United States is involved—occurs in front of his eyes. He is forced to run, while holding evidence that could convict the President.

What happens when two profoundly lonely men who are strangers, one older and gay, and the second younger and questioning, take one last chance at making a sincere human connection? Based on true events in the life of the writer/director.

An unspoken conflict is affecting the relationship between two brothers. Will Simon and Robin find the courage to talk about their issue?

A Film About Writer's Block & Procrastination

This is the story of Gato, an Italian immigrant, who lives with his wife, Marie, and his younger brother, Giuseppe, on a small truck farm in the west. Gato becomes so intent on his work that he neglects to show his wife the little attentions she demands. A foppish wandering Italian, Sandro, sees in this an opportunity to work his ends, but is prevented by the timely interference of Giuseppe.