Matthew Perry A Hollywood Tragedy 2025 - Movies (Feb 25th)
Take That This Life – Live In Concert 2024 - Movies (Feb 25th)
Den of Thieves 2 Pantera 2025 - Movies (Feb 24th)
Cellphone 2024 - Movies (Feb 24th)
Into the Deep 2025 - Movies (Feb 24th)
Gladiator II 2024 - Movies (Feb 24th)
Sisterhood Inc. 2025 - Movies (Feb 24th)
Bottom Feeders 2024 - Movies (Feb 24th)
Veselka The Rainbow on the Corner at the Center of the World 2024 - Movies (Feb 23rd)
Monster Mash 2024 - Movies (Feb 23rd)
Kraven the Hunter 2024 - Movies (Feb 23rd)
Azrael 2024 - Movies (Feb 22nd)
Swimming Home 2024 - Movies (Feb 22nd)
Sugar Mama 2025 - Movies (Feb 22nd)
Ghost Rite Here Rite Now 2024 - Movies (Feb 22nd)
The Bayou 2025 - Movies (Feb 21st)
Old Guy 2024 - Movies (Feb 21st)
Millers in Marriage 2024 - Movies (Feb 21st)
Inheritance 2025 - Movies (Feb 21st)
Daytime Revolution 2024 - Movies (Feb 21st)
Assassins Guild 2024 - Movies (Feb 20th)
Rocky Mountain Wreckers - (Feb 26th)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Beyond the Gates - (Feb 26th)
Win or Lose - (Feb 26th)
Wildcard Kitchen - (Feb 26th)
WWE NXT - (Feb 26th)
FBI - (Feb 26th)
7 Little Johnstons - (Feb 26th)
Kitchen Nightmares - (Feb 26th)
The Rookie - (Feb 26th)
Road Rage - (Feb 26th)
Renovation Aloha - (Feb 26th)
The Real Housewives of Beverly Hills - (Feb 26th)
St. Denis Medical - (Feb 26th)
The Irrational - (Feb 26th)
Hudson and Rex - (Feb 26th)
PITINO- RED STORM RISING - (Feb 26th)
The Last Word with Lawrence ODonnell - (Feb 26th)
The Last Son is a western that puts on airs of Greek tragedy, complete with self-fulfilling prophecies, incest, filicide, and parricide. It’s also divided into chapters, emulating the episodes in a Greek drama. And in lieu of a choir, we get a voiceover narration. Screenwriter Greg Johnson and director Tim Sutton know the words but not the music. Of all the possible Greek tragic elements, the one this movie lacks the most, and without which the rest are worthless, is pathos. The characters fail to inspire empathy because they are never anything more than archetypes. Heather Graham is a Whore with a Heart of Gold and a Sh*t for Brains (but then everyone here is more or less obtuse). Thomas Jane is a white man raised by Indians, which makes little difference because he doesn’t seem to care a lot about either affiliation. And Machine Gun Kelly looks and acts like the MTV grunge version of Oedipus. Et sic de ceteris. Every tree here is the wrong one to bark up. It’s a shame that cinematographer David Gallego and editor Kate Abernathy did such a good job of endowing the film with the look of a legitimate western, only to have its beautiful visuals put in the service of a pretentious and spurious script. (said visuals include a very effective use of natural locations in Montana, as well as a shot of a dying man whose last breath the cold renders visible, and which may or may not be a reference to a similar scene in Chimes at Midnight).
Cheyenne Jones comes to the Blue River Ranch and asks for a job as a cowpuncher. Actually, Jones's real name is Buck McCloud and he's the new owner of the spread, having inherited it when his uncle died a year earlier. He's roaming the range incognito while trying to identify who's behind the cattle rustling that is afflicting his new business.
Bandits lead by Matt the Mute enter a bar and kill multiple people. Randy Bowers comes to town and is framed by Matt the Mute, who is working with the sheriff (who doesn't know Matt is really a criminal). Randy escapes with the help of the niece of the dead owner of the bar. Bowers ends up running from the sheriff, and ends up in the cave in which the bandits have their hide-out…
With King Richard off to the Crusades, Prince John and his slithering minion, Sir Hiss, set about taxing Nottingham's citizens with support from the corrupt sheriff - and staunch opposition by the wily Robin Hood and his band of merry men.
A movie within a movie, created to spoof the martial arts genre. Writer/director Steve Oedekerk uses contemporary characters and splices them into a 1970s kung-fu film, weaving the new and old together. As the main character, The Chosen One, Oedekerk sets off to avenge the deaths of his parents at the hands of kung-fu legend Master Pain. Along the way he encounters some strange characters.
The epic tale of the development of the American West from the 1830s through the Civil War to the end of the century, as seen through the eyes of one pioneer family.
A domineering but charismatic rancher wages a war of intimidation on his brother's new wife and her teen son, until long-hidden secrets come to light.
A young Abigale Archer is left friendless and alone in a brutal Montana winter during the 1870s—fighting for survival and to retrieve her one earthly possession, her family’s horse, from a gang of bloodthirsty bandits.
When a Midwest town learns that a corrupt railroad baron has captured the deeds to their homesteads without their knowledge, a group of young ranchers join forces to take back what is rightfully theirs. They will become the object of the biggest manhunt in the history of the Old West and, as their fame grows, so will the legend of their leader, a young outlaw by the name of Jesse James.
Dan Evans, a small time farmer, is hired to escort Ben Wade, a dangerous outlaw, to Yuma. As Evans and Wade wait for the 3:10 train to Yuma, Wade's gang is racing to free him.
Expert conman Joe Thanks teams up with half-breed Bill and naive Lucy to steal $300,000 from the Indian-hating Major Cabot. Their elaborate plan is full of disguises, double-crosses, and chases, but Joe always seems to know what he's doing.
Harvard graduate James Averill is the sheriff of prosperous Jackson County, Wyo., when a battle erupts between the area's poverty-stricken immigrants and its wealthy cattle farmers. The politically connected ranch owners fight the immigrants with the help of Nathan Champion, a mercenary competing with Averill for the love of local madam Ella Watson. As the struggle escalates, Averill and Champion begin to question their decisions.