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The Last Son is a western that puts on airs of Greek tragedy, complete with self-fulfilling prophecies, incest, filicide, and parricide. It’s also divided into chapters, emulating the episodes in a Greek drama. And in lieu of a choir, we get a voiceover narration. Screenwriter Greg Johnson and director Tim Sutton know the words but not the music. Of all the possible Greek tragic elements, the one this movie lacks the most, and without which the rest are worthless, is pathos. The characters fail to inspire empathy because they are never anything more than archetypes. Heather Graham is a Whore with a Heart of Gold and a Sh*t for Brains (but then everyone here is more or less obtuse). Thomas Jane is a white man raised by Indians, which makes little difference because he doesn’t seem to care a lot about either affiliation. And Machine Gun Kelly looks and acts like the MTV grunge version of Oedipus. Et sic de ceteris. Every tree here is the wrong one to bark up. It’s a shame that cinematographer David Gallego and editor Kate Abernathy did such a good job of endowing the film with the look of a legitimate western, only to have its beautiful visuals put in the service of a pretentious and spurious script. (said visuals include a very effective use of natural locations in Montana, as well as a shot of a dying man whose last breath the cold renders visible, and which may or may not be a reference to a similar scene in Chimes at Midnight).
It is the year 2022. A mysterious systems failure causes the crew of a spaceship to be stranded on the dark side of the moon, while rapidly running out of fuel and oxygen. They are surprised to discover a NASA space shuttle floating in space, and board it in the hope of salvaging some supplies. One by one, the crew is possessed and killed, and it is up to Paxton Warner to find the links between the dark side of the moon, the Bermuda Triangle, and the Devil himself.
The final installment finds Marty digging the trusty DeLorean out of a mineshaft and looking for Doc in the Wild West of 1885. But when their time machine breaks down, the travelers are stranded in a land of spurs. More problems arise when Doc falls for pretty schoolteacher Clara Clayton, and Marty tangles with Buford Tannen.
The Borg, a relentless race of cyborgs, are on a direct course for Earth. Violating orders to stay away from the battle, Captain Picard and the crew of the newly-commissioned USS Enterprise E pursue the Borg back in time to prevent the invaders from changing Federation history and assimilating the galaxy.
Filmed at the Theatre Royal Drury Lane during its two scheduled performances on January 17-18, 2022, tells the story of Bonnie and Clyde. At the height of the Great Depression, Bonnie Parker and Clyde Barrow went from two small-town nobodies in West Texas to America's most renowned folk heroes and the Texas law enforcement's worst nightmares. Fearless, shameless, and alluring, Bonnie & Clyde is the electrifying story of love, adventure and crime that captured the attention of an entire country.
The Maclean brothers, Paul and Norman, live a relatively idyllic life in rural Montana, spending much of their time fly fishing. The sons of a minister, the boys eventually part company when Norman moves east to attend college, leaving his rebellious brother to find trouble back home. When Norman finally returns, the siblings resume their fishing outings, and assess where they've been and where they're going.
Outlaws plan a robbery to take place during a championship prizefight in Carson City, Nevada.
Set in 1890, this is the story of a Pony Express courier who travels to Arabia to compete with his horse, Hidalgo, in a dangerous race for a massive contest prize, in an adventure that sends the pair around the world...
A former gunslinger is forced to take up arms again when he and his cattle crew are threatened by a corrupt lawman.
The mother of a severely traumatized daughter enlists the aid of a unique horse trainer to help the girl's equally injured horse.
After being bitten by a genetically altered spider at Oscorp, nerdy but endearing high school student Peter Parker is endowed with amazing powers to become the superhero known as Spider-Man.
Montana cattle rancher John Alexander is a strong-minded individual and a man of few words. Because he’s land-rich but cash-poor, he grudgingly accepts an offer from a production company to use his land as a film location. Though it’s good money, the tough rancher doesn’t trust that the Hollywood film crew will treat his land with the respect it deserves. Alexander holds onto a deeply traditional vision of his world just as the film’s director, a creative urbanite named Fabian, maintains his own vision for his film. Both men are hoping for the best: Alexander wants to save his ranch, and Fabian wants to be catapulted to the next 'it' filmmaker.