下忍 GENIN 赤い影

GOZEN is a jidageki (period piece) dramas. The word “gozen” refers to a feudal game held in the presence of a Daimyo, described as a match “one must not lose”.

A rebellious ninja in 17th century Japan takes refuge with a fisherman and his family.

A pair of down-on-their-luck swordsmen arrive in a dusty, windblown town, where they become involved in a local clan dispute. One, previously a farmer, longs to become a noble samurai. The other, a former samurai haunted by his past, prefers living anonymously with gangsters. But when both men discover the wrongdoings of the nefarious clan leader, they side with a band of rebels who are under siege at a remote mountain cabin.

Raised suckling poison arrows among the sparring Iga ninja factions, Mumon is a carefree 16th-century mercenary. When the ninja council makes a power play to defeat the young Nobukatsu Oda struggling to step into his father’s warlord shoes as they expand rule across the country, Mumon jumps into the fray to satisfy his new bride Okuni’s demand that he make good on his promises of wealth. Yet Mumon soon finds what is worth fighting for beyond money or nation.

In Part I we see the young would-be swordsman setting out to achieve greatness in war, achieving nothing because fighting on the losing side, & then beginning his long period of wandering & training, with the goal always in mind of his duel with Kojiro. Part II builds toward that great duel on Ganryu Island, with considerable focus on Musashi's planning & forethought as to how to gain an advantage.

Near the end of the nineteenth century, as the balance of power shifts from Shogunate towards the Emperor, Japan restlessly awaits the dawning of a new age. But not all are content...The Shinsengumi, a small army of samurai, farmers and peasants, band together to do battle against the tide of history. Their leader, Isami Kondo is a man who rises from farmer to fighter to head the fierce Shinsengumi brigade. Using a stern hand and a heart of gold, he rallies his men in defense of the tottering Shogunate. But bloodshed and treachery lurk around every corner.

With Ran, legendary director Akira Kurosawa reimagines Shakespeare's King Lear as a singular historical epic set in sixteenth-century Japan. Majestic in scope, the film is Kurosawa's late-life masterpiece, a profound examination of the folly of war and the crumbling of one family under the weight of betrayal, greed, and the insatiable thirst for power.

Toshiro Mifune swaggers and snarls to brilliant comic effect in Kurosawa's tightly paced, beautifully composed "Sanjuro." In this companion piece and sequel to "Yojimbo," jaded samurai Sanjuro helps an idealistic group of young warriors weed out their clan's evil influences, and in the process turns their image of a proper samurai on its ear.

Fearless Edo-period police inspector Hanzo Itami, nicknamed The Razor, has developed his own unique way of extracting information for his inquiries. His first adventure sees him investigating his superior officer's mistress, whom he suspects of having ties with a reputed criminal on the loose.

Against the backdrop of the Edo treasury devaluing currency and driving many into poverty, Hanzo Itami enforces the law without regard to status. He shows inadequate respect to the treasurer, who wants him dead.

Hanzo extracts a confession from a ghost using his assaulting methods, foils thieves, connects with Heisuke Takei a friend from his youth, offers protection to a forward-thinking physician Genan Sugino who has defamed his ruler, discovers a pleasure ring of young wives and a blind music teacher, and cuckolds a corrupt official under his very nose.