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**A good film, full of detail and historical verisimilitude, but painfully long without needing to be.** I've already seen two of Akira Kurosawa's most renowned films and, quite frankly, I still can't understand why this Japanese director is so commonly considered a cinematic genius. His films are quite good, they're meticulous, there's a lot of attention to detail, but they're not particularly unforgettable… that's what I think. This film is an adaptation of the plot of “King Lear”, by Shakespeare: a warlord, in the middle of the Japanese feudal era, decides to withdraw and divide his lands, power and castles among his three sons. Only one of them disagrees and warns him that it is highly unlikely that they will stay together as brothers, which provokes the old father's wrath. However, the future proves true for the younger son's words when the two older brothers despise their father and conflicts begin. Driven mad and accompanied only by a fool, the old man ends up mad while the brothers fight each other. I won't talk about the cast because I don't know these actors. I can only say that they worked well, within the context and the type of film we are talking about. There is an excessive stylization, both in terms of interpretation and in terms of dialogues, which sounds theatrical, forced, but I don't know if that was on purpose. On a technical level, the film has a lot of points in its favor, starting with an excellent cinematography, very colorful and with good lighting. The sets are superb, in particular the castles, recreated to the smallest detail, and the costumes are also good, beautiful and historically credible. I don't think I'll be being unfair if I say that this film probably has some of the best war scenes in period films set in Japan. There is no CGI, special effects have been used judiciously, and the war has been recreated to be as authentic as possible, with hundreds of extras dressed to the nines and a lot of effort on the part of the production. For a historian, you can't ask for more. The big problem with this movie is that it wasn't made to entertain but to make you think, and it's full of scenes and sequences designed to make the viewer think about what they're watching. It's something that would work, if it weren't sometimes overly cryptic. The audience needs to understand what the director wants to convey, and that often doesn't happen. Furthermore, it is a film that does not spare the audience: it starts very well, it ends very well, but everything in between is unbearably prolonged and distended. What could be said or done in two minutes is done in five minutes, and there are a lot of dialogues and scenes that don't seem to have any function other than to make the film take longer.
28 years ago, Liang gives birth to a boy named "Little Bean Jelly" in prison. When the kid turns one, the mother and son lose contact. Years later, Green Dragon Group's henchman "Ghost" is ambushed during a mission and becomes blind. When Liang is released from prison, she meets Ghost. One wants only to complete the assassination, while the other wants to make amends to rebuild their mother-son relationship. By an unexpected combination of circumstances, this mother and son help each other redeem themselves and return to the right path.
A small-time crime boss kills a drug dealer without realizing that the drug dealer works for the biggest crime boss in the country.
Ex-wrestler and Tennessee Sheriff Buford Pusser walks tall and carries a big stick as he tussles with county-wide corruption and moonshining thugs.
Powerful, uncompromising drama about two boys' struggle for survival in the nightmare world of Britain's notorious Borstal Reformatory.
An exploration of the relationship between a lawyer and a beautiful heiress, from scandal to a mysterious death.
Raj rebuilds his murdered father's car and names it Taarzan, but the car comes to life in a miraculous way and slowly starts killing the killers of Raj's father.
American crime reporter John Jones is reassigned to Europe as a foreign correspondent to cover the imminent war. When he walks into the middle of an assassination and stumbles on a spy ring, he seeks help from a beautiful politician’s daughter and an urbane English journalist to uncover the truth.
Revenge breeds revenge. Ikuta Denpachiro, the martial arts instructor of the Honda family in Koriyama, lost a fight to the young samurai Enjo Sozaemon in a martial arts tournament and as a result lost his position and was expelled from home. Wanting to avenge the mockery of himself, he treacherously kills Sozaemon and goes on the run. After long wanderings, Denpachiro, it would seem, finds a peaceful life and love in the face of a devoted and courageous Okatsu, but the brothers of the murdered man are already on his trail, wanting to avenge the death of Sozaemon. The film is based on a story by Itaro Yamagami.
A mysterious woman, known as Madame M, kidnaps forty pre-teen girls and transports them to a remote island to train them as the most deadly assassins. CIA operative Jack Chen follows the case for 6 years with no leads, but when a series of assassinations begin to occur, Jack suspects that Madame M is back in business.
Desperate for companionship, the repressed Willard befriends a group of rats that inhabit his late father's deteriorating mansion. In these furry creatures, Willard finds temporary refuge from daily abuse at the hands of his bedridden mother and his father's old partner, Frank. Soon it becomes clear that the brood of rodents is ready and willing to exact a vicious, deadly revenge on anyone who dares to bully their sensitive new master.
