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Gerade in der Originalfassung ist „Ted“ ein anarchischer Spaß. Seth MacFarlane, der neben seiner Regiearbeit auch noch Ted spricht, hat ihr einen Film erschaffen, in dem kein Blatt vor den Mund genommen wird und vor allem davon lebt, dass Ted einfach in jeder Szene auf die eine oder andere Art daneben benimmt. Immer einen fiesen Spruch auf den Lippen sprudeln die Beleidigungen und unangebrachten Sätze nur so aus Ted heraus und wenn man bei menschlichen Protagonisten schnell das Gefühl hat, dass dieses Verhalten zu viel des Guten ist, kommt dies bei Ted nicht vor. Dies mag daran liegen, dass Ted eben ein Teddybär ist und man so ein Verhalten von einem Kuscheltier eben nicht erwartet. Erstaunlich ist auch, wie gut Mark Wahlberg (Shooter, Vier Brüder) im Zusammenspiel mit dem chaotischen Teddybären funktioniert. Wahlberg hat sich in den letzten Jahren ja eher in Actionfilmen und ernsteren Produktionen positioniert, zeigt aber in „Ted“, dass er den „Over the top“-Humor genau beherrscht wie das Actionfach. Und auch Mila Kunis (Black Swan, Ausgequetscht) darf man nicht vergessen. Kunis hat sich ja schon mehrfach in Komödien ausgetobt und beweist in „Ted“, dass sich auch in derberen Vertretern des Genres eine gute Figur macht. „Ted“ bietet aber nicht nur derben Humor, sondern mindestens eine Szene, die in die Filmgeschichte eingehen wird, den Donnersong. Wenn John und Ted bei Gewitter im Bett liegen und ihr Lied singen und dabei das Unwetter wild beschimpfen, dann bleibt auch bei den Zuschauern kein Auge trocken, die ansonsten wenig mit dem Film anfangen können. Insgesamt gesehen ist „Ted“ allerdings kein Meisterwerk. In erster Linie nutzt Seth MacFarlane seine Erfahrung die er mit der TV-Serie „Family Guy“ gesammelt hat und mixt den derben Humor der Serie mit neuen Figuren. Klar, mit dem gesellschaftsuntauglichen Ted präsentiert er dabei eine Figur, die man so auf der Leinwand noch nicht gesehen hat, er erfindet sich allerdings mit dem Film nicht neu, sondern erschließt mit „Ted“ nur eine neue Zielgruppe, nämlich die Komödienfans, die MacFarlane noch nicht von „Family Guy“ kenne, aber derbe Komödie wie z.B. „Hangover“ mögen. [Sneakfilm.de]
Ted is THE poster child for the fact that every great concept doesn't automatically become a guaranteed winning project once it leaves the drawing board. This movie SCREAMS "Here's a great idea, but we just didn't know what to do with it." Whether it was because of lack of imagination or too many tokes on the community bong, nobody will ever know. Having a movie about a real-live Teddy Bear existing in the every day life of a 30-something underachiever sounds like a winning formula. However after the first few moments, the movie stalls, the dialog gets stale quickly and the majority of the story revolves around Ted getting high and/or trying to bang shallow, attractive women (even though Hasbro didn't include on him full, working equipment) while the main character tries to balance his 4-year ongoing relationship with a woman completely out of his league and his life-long Thunder Buddy (Ted). Lewd, crude and rude, Ted does little to entertain beyond the limited soph-moronic humor. Unless you are a rabid fan of Family Guy or the 80s Flash Gordon, live in or around the Boston area or think it's funny to hear the F-word every other second, this one won't be for you.
Great watch, will watch again, and do recommend. This is a stupid movie, it doesn't mean it's bad: it's not a great movie, but it is entertaining. I love stupid humor and dirt comedy, basically absurdist comedy which Seth MacFarlane excels at. The cast is great, and I think it would have been a very different movie if they had used anyone else in any role. The concept alone is unique and refreshing, "Did you see the movie about the teddy bwear that came to life?", that's this movie. You almost owe it to yourself to see such a unique concept. And they they do some fantastically structure humor mixed with some rather contrastingly serious romantic drama. They even mix in a touch of horror, and I was even able to get into it, despite it being about a Teddy Bear that has express displeasure about not being constructed with a penis. I can't imagine ever watching this and not being entertained.
A home, a motorcar, servants, the latest fashions: the most eligible and most finicky bachelor in Paris offers them all to Gigi. But she, who's gone from girlish gawkishness to cultured glamour before our eyes, yearns for that wonderful something money can't buy.
Francois, a cheerful Parisian bohemian, wants more than anything to be a tour guide in his beloved city. While working the streets, Francois meets Madeleine, who works at a circus.
A young, unnamed woman, while biking home from the bank she works at, happens upon a weakened tree goddess whose native shrine is being demolished for construction work. She rescues her and brings the goddess home with her. The two form a relationship, but what will happen to the goddess as the construction progresses?
A cashier poses as a writer for blacklisted talents to submit their work through, but the injustice around him pushes him to take a stand.
Henry is a player skilled at seducing women. But when this veterinarian meets Lucy, a girl with a quirky problem when it comes to total recall, he realizes it's possible to fall in love all over again…and again, and again. That's because the delightful Lucy has no short-term memory, so Henry must woo her day after day until he finally sweeps her off her feet.
Living with her tyrannical stepfather in a new home with her pregnant mother, 10-year-old Ofelia feels alone until she explores a decaying labyrinth guarded by a mysterious faun who claims to know her destiny. If she wishes to return to her real father, Ofelia must complete three terrifying tasks.
With his eye on a lovely aristocrat, a gifted illusionist named Eisenheim uses his powers to win her away from her betrothed, a crown prince. But Eisenheim's scheme creates tumult within the monarchy and ignites the suspicion of a dogged inspector.
Stefan and Kai run a thriving business: a home-grown cannabis trade disguised as a pizza delivery service. For now they just have to fight aphids.
The Hamburg friends Walter, Ricco and Floyd take each day as it comes between the estates of tower blocks and fast food restaurants. All three are in their early twenties and are dreaming of another life when Floyd suddenly takes a job on a freighter going to Singapore.
McKayla and Sadie, two death-obsessed teenage girls, use their online show about real-life tragedies to send their small Midwestern town into a frenzy and cement their legacy as modern horror legends.
A girls only hotel in Austria, run by a man-hating grandmother. Her daughter and three pretty grand daughters are chased by men, nevertheless (and chase the guys themselves), so everything is back to heterosexual normality in the happy ending. It's a musical.