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Whilst I think this really does work on stage, I really didn't much rate this African-American take on the timeless "Wizard of Oz" tale. It seems much more intent on making a political statement than it does on entertaining anyone, and given I'm not from the community it was made by and for, I felt a bit like I was not really invited to the party. The story itself sees a slightly older "Dorothy" (Diana Ross) chasing her dog through a heavy snowfall. She gets hopelessly lost and next thing she is in a mysterious land ("Oz") and must find the legendary wizard if she is ever to sing her way back to Harlem. The snag with this plot here is that her life in New York was none too enjoyable, so after a while here making new friends - including Michael Jackson's "Scarecrow", and singing and dancing her way through life, I did wonder what she actually wanted to get back for. The remainder of the story largely follows the gist of the original Baum novel, peppered with some of Quincy Jones best efforts, and so no there's not a jot of jeopardy as she plods along the yellow brick road towards a typically theatrical, power ballad, denouement. There's no question Ross can sing, but somehow nobody here ever imbues thire songs with much personality or character. They are just repetitions of the vinyl versions with little to personalise them for the big screen. It's not a bad film, and it does try to take some risks with the creativity, but for me I just didn't feel at all engaged.
In this Chinese version of The Phantom of the Opera, the mysterious Song Danping terrorizes the newly rebuilt opera house and its young star.
In this North Woods adventure, the Mounties investigate a series of payroll robberies and discover that it is an inside job.
A dog that helped soldiers in Afghanistan returns to the U.S. and is adopted by his handler's family after suffering a traumatic experience.
In this fast-paced remake of the Maurice Chevalier vehicle Folies Bergère, talented Danny Kaye plays both a performer and a heroic French military pilot.
Tony Silver and Henry Chalfant's PBS documentary tracks the rise and fall of subway graffiti in New York in the late 1970s and early 1980s.
Since the dawn of time magic users have availed their Mysterious Power to ward off evil and heal the body. Throughout history wizards, sorcerers and magicians have practiced in secrecy, keeping their powers hidden, guided by the Wizard's Code. But there are some who desire mastery over others and attain the highest level of magic to gain it. Even just one Wizard, obsessed with his own power, can threaten their secret world. This one is called the MAGUS. When Felix, a broken down healer learns that the Magus has abandoned the Wizards Code and is using his power for evil, he is forced to come out of reclusion and find a way to turn his healing energy into a killing force.
A martial artist finds himself transported to another world where he must battle monsters, evil wizards, zombies, and other threats. Can he save everyone and get back to Earth?
Cobb, a skilled thief who commits corporate espionage by infiltrating the subconscious of his targets is offered a chance to regain his old life as payment for a task considered to be impossible: "inception", the implantation of another person's idea into a target's subconscious.
Sakura Kinomoto, a Card Captor, wins a game of chance and is awarded a trip to Hong Kong, along with her best friend Tomoyo and her rival, Syaoran Li. It turns out that the ancient rival of Clow Reed, the creator of the mysterious and powerful Clow Cards, summoned them, and she's out for revenge. A battle ensues, and secrets are revealed about Clow Reed's shady past and Sakura's connection to him.
