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As the name suggests Steel Pulse play their own unique brand of reggae music in a no compromises way. The film features the band at the very peak of form playing a wide selection of the material which brought them to fame in Britain and America.

Ivanhoe Martin arrives in Kingston, Jamaica, looking for work and, after some initial struggles, lands a recording contract as a reggae singer. He records his first song, "The Harder They Come," but after a bitter dispute with a manipulative producer named Hilton, soon finds himself resorting to petty crime in order to pay the bills. He deals marijuana, kills some abusive cops and earns local folk hero status. Meanwhile, his record is topping the charts.

The Uprising Tour was Bob Marley's last tour before his tragic early death in May 1981. Marley's energetic, charismatic performance gives no indication that he was already ill with the cancer that would take his life less than a year later. This live show from Dortmund's Westfalenhalle was filmed for the famous German music TV series Rockpalast on June 13th 1980, featuring Bob Marley on superb form. Expertly delivering a set of hit singles and classic album tracks, Marley's energetic, charismatic performance includes I Shot The Sheriff, Get Up, Stand Up and No Woman, No Cry and the film has been substantially restored to a high level.

The Amandla Festival of Unity was a world music festival held at Harvard Stadium in Boston, Massachusetts, on July 21, 1979. The festival was held in an effort to support and celebrate the liberation of South Africa and the on-going efforts of people in Boston to address racism in their families, schools, workplaces and communities. Performers include soul legend Patti LaBelle, jazz pianist Eddie Palmieri, drummer Babatunde Olatunji, the South African band Jabula and comedian Dick Gregory, who gives a 15-minute racially-charged speech before Marley’s performance.

Documentary about reggae in Jamaica and its history. Filmed in 1979.

Bob Marley and the Wailers entered the newly refurbished Tuff Gong Studios on May 1, 1980 to rehearse songs for the upcoming Uprising tour which starts June 1, 1980 in München, Germany. A film crew is at the rehearsal to film footage for a JBC documentary on Bob Marley and Tuff Gong. Much of the rehearsal was captured on film, and it has become legendary footage.

Horsemouth, a drummer living in a ghetto of Kingston, plans to make money selling records. After his prized motorcycle is stolen, his plans fall through and he's forced to adapt.

Awake Zion explores the connections between Rasta, Reggae and Judaism, through one woman's beat-laden adventure into the meaning of identity. All the way back to the alleged sultry affair between the Jewish King Solomon and the African Queen of Sheba, Jewish influence is evident in the spiritual history of Ethiopia - turning up subtly in Rastafarian lifestyle and then, inevitably, in reggae. Unravelling the story of this unlikely kinship, Awake Zion unites Jewish and Jamaican musicians, scholars, and historians in a celebration roots and culture - traveling from Crown Heights, Brooklyn, where Caribbean and Jewish cultures share a history of adversity - to Jamaica, the birthplace of reggae - and ultimately to Israel, where a sizzling reggae scene thrives today. Awake Zion examines the preconceptions of what it means to be Jewish, what it means to be Rasta, what it means to be white or black - and, most importantly, the universal search for what it means to be "home".

Urgh! A Music War is a British film released in 1982 featuring performances by punk rock, new wave, and post-punk acts, filmed in 1980. Among the artists featured in the movie are Orchestral Manoeuvres in the Dark (OMD), Magazine, The Go-Go's, Toyah Willcox, The Fleshtones, Joan Jett & the Blackhearts, X, XTC, Devo, The Cramps, Oingo Boingo, Dead Kennedys, Gary Numan, Klaus Nomi, Wall of Voodoo, Pere Ubu, Steel Pulse, Surf Punks, 999, UB40, Echo & the Bunnymen and The Police. These were many of the most popular groups on the New Wave scene; in keeping with the spirit of the scene, the film also features several less famous acts, and one completely obscure group, Invisible Sex, in what appears to be their only public performance.

Recorded in California at the Santa Barbara County Bowl, this live concert appearance from Bob Marley and the Wailers was filmed on November 25, 1979. One of the last shows to be recorded before Marley's untimely demise, the gig is a scintillating mix of reggae classics and provides a fitting epitaph to the influential musician. Tracks include "I Shot the Sheriff," "Exodus," "Is This Love" and many more.