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The Last American Vagabond - (Jan 18th)
Jesse Watters Primetime - (Jan 18th)
The Five - (Jan 18th)
Gutfeld - (Jan 18th)
Shark Tank India - (Jan 18th)
On Patrol- Live - (Jan 18th)
The Last Word with Lawrence ODonnell - (Jan 18th)
WWE SmackDown - (Jan 18th)
Diners, Drive-Ins and Dives - (Jan 18th)
My Lottery Dream Home - (Jan 18th)
The Young and the Restless - (Jan 18th)
Gold Rush - (Jan 18th)
Lets Make a Deal - (Jan 18th)
Listen to the Earth - (Jan 18th)
The Price Is Right - (Jan 18th)
Alex Wagner Tonight - (Jan 18th)
The One Show - (Jan 18th)
Someday at a Place in the Sun - (Jan 18th)
Lopez vs Lopez - (Jan 18th)
The ReidOut with Joy Reid - (Jan 18th)
_**Robin Williams as a 10 year-old; great cast, but needed a rewrite**_ The Powells in Oakland have a premature baby, whom they name Jack (Robin Williams). The problem is that Jack grows at four times the normal rate and so when he finally is allowed to enter 5th grade at the age of 10 he looks like a 40 year-old man. Diane Lane plays his mother, Bill Cosby his tutor, Jennifer Lopez his teacher and Fran Drescher a single mother who’s attracted to him. “Jack” (1996) takes the basic topic of “Big” (1988) and mixes it with the awkwardness of “Milk Money” (1994). It tries to be a serious drama, a slapstick comedy and a profound tragedy, which is tonally bewildering. Nevertheless, it would’ve been more successful if they worked out the kinks in the slapstick scenes, especially the ones with the kids, like the treehouse sequences. There’s nothing wrong with the cast or the filmmaking except that the script needed improved to flesh out the potential. As it is, I had a hard time buying that Robin Williams was a 10 year-old boy and the comedic scenes with the kids didn’t work for me, although they’re passably amusing. Thankfully, there are several things that make the movie worthwhile: Lopez, Drescher and Lane are thoroughly attractive and I especially enjoyed the scenes with Lopez and Drescher, like the bar sequence; Cosby is his likable self (before his fall from grace); and the second half is better than the unsure first half. Director Francis Ford Coppola proved that he could effectively do this kind of whimsical fare with “Peggy Sue Got Married” (1986), but here he needed a better script. Still, some people love this movie (while critics like Siskel & Ebert tore it to pieces), so I suppose it’s a matter of taste. The movie runs 1 hour, 53 minutes, and was shot in areas just north of Oakland/San Francisco (Vallejo, Mill Valley & Ross). GRADE: C+
When 17-year-old Effi Briest marries the elderly Baron von Instetten, she moves to a small, isolated Baltic town and a house that she fears is haunted. Starved for companionship, Effi begins a friendship with Major Crampas, a charismatic womanizer.
In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their creator for a way to extend their short life spans.
A teenage girl is ready to experiment, but an older man’s demands burden her sexual awakening with complex realizations about her place in the world.
A poor French teenage girl engages in an illicit affair with a wealthy Chinese heir in 1920s Saigon. For the first time in her young life she has control, and she wields it deftly over her besotted lover throughout a series of clandestine meetings and torrid encounters.
Whatever Works explores the relationship between a crotchety misanthrope, Boris and a naïve, impressionable young runaway from the south, Melody. When Melody's uptight parents arrive in New York to rescue her, they are quickly drawn into wildly unexpected romantic entanglements. Everyone discovers that finding love is just a combination of lucky chance and appreciating the value of "whatever works."
A successful, attractive, intelligent and brilliant advertising executive is longing to finally find emotional stability in his life, and decides to propose to his girlfriend. After she refuses his proposal, his life takes a turn when a new young lady enters his life.
When Gelsomina, a naïve young woman, is purchased from her impoverished mother by brutish circus strongman Zampanò to be his wife and partner, she loyally endures her husband's coldness and abuse as they travel the Italian countryside performing together. Soon Zampanò must deal with his jealousy and conflicted feelings about Gelsomina when she finds a kindred spirit in Il Matto, the carefree circus fool, and contemplates leaving Zampanò.
A beautiful girl, Snow White, takes refuge in the forest in the house of seven dwarfs to hide from her stepmother, the wicked Queen. The Queen is jealous because she wants to be known as "the fairest in the land," and Snow White's beauty surpasses her own.
Lili, a pouty and voluptuous 14-year-old, is caravan camping with her family in Biarritz. She's self-aware and holds her own in a café conversation with a concert pianist she meets, but she has a wild streak and she's testing her powers over men, finding that she doesn't always control her moods or actions, and she's impatient with being a virgin. She sets off with her brother to a disco, latching onto an aging playboy who is himself hot and cold to her. She is ambivalent about losing her virginity that night, willing the next, and determined by the third.
Two lost souls visiting Tokyo - the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial - find an odd solace and pensive freedom to be real in each other's company, away from their lives in America.
Former professor of natural history, Louis Compiegne lives in retirement in a big house, with Pascal, his faithful servant. The arrival of a young American student comes to disorder the quiet life of the pensioner.