Disclaimer - This is a news site. All the information listed here is to be found on the web elsewhere. We do not host, upload or link to any video, films, media file, live streams etc.
Kodiapps is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content streamed to/from your device.
We are not connected to or in any other way affiliated with Kodi, Team Kodi, or the XBMC Foundation.
We provide no support for third party add-ons installed on your devices, as they do not belong to us.
It is your responsibility to ensure that you comply with all your regional legalities and personal access rights regarding any streams to be found on the web. If in doubt, do not use.
Kodiapps app v7.0 - Available for Android.
You can now add latest scene releases to your collection with Add to Trakt. More features and updates coming to this app real soon.
Tip : Add https://kodiapps.com/rss to your RSS Ticker in System/Appearance/Skin settings to get the very latest Movie & TV Show release info delivered direct to your Kodi Home Screen.
Builders are free to use it for their builds too.
War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
Takashi Shimura is "Watanabe", an elderly civil service lifer who is told that he has terminal stomach cancer. After years of a disciplined, rather pedestrian existence he now feels a need to emancipate himself and start to live a little. The story is told through two threads: one looks at the end of the old gent's life from his own perspective; the second takes a retrospective view from the wake as his family and colleagues gather to remember him. Kurusawa is clearly making a point with this delicate, poignant film - perhaps life needs to be appreciated and enjoyed - not necessarily in a jovial, happy fashion, but by achievement. In this case "Watanabe" sets about using his position to help locals get a park, but he also starts an empowering relationship (platonic) with a younger girl, who is quite keen on her food, it has to be said. As his colleagues at the wake suffer from excesses of saké their traditionally stiff, reserved, view of their late friend becomes more of a tool to evaluate their own roles and purpose as they determine to be more like him.... The writing has plenty of humour and again, Kurosawa uses weather as a wonderfully potent instrument to create a great atmospheric feel to this gentle story of profound change, and - maybe - contentment.
I watched the English follow-up version (Living) before watching this original, and wished I had reversed my order. I liked Living much more than this original, but since both were written by the same Japanese scriptwriter, my preference might be cultural rather than due to quality issues, not to mention the scriptwriter had come up with improvements through the intervening years. The club and bar scenes near the beginning seem to go on much longer than in the remake, or at least it felt like it! And the same for the later scenes with the young woman. Then again, that wouldn’t be surprising since this older version is 40 minutes longer. Still, the differences in the details based on the separate cultures are interesting to note, and I recommend both versions, though I would start with the older one as I mentioned above.
Typical Kurasawa creative framing in the beginning of the movie. The scene of dancers shot through bead curtains swinging in time to the music was brilliant. His choice of Miki Odagiri for muse is brilliant. Her laugh is infectious. The last act stuck me as rather static. It's perhaps from cultural mores about the dead I don't understand (like the taboo of not ever sticking your chopsticks into the rice bowl!). Kurasawa waxes philosophical on life and government here, and indeed, nothing has changed in 70 years.
A shy country girl chooses a part-time job at a maid cafe where she serves customers while dressed up as a maid.
In the late 1970s, a French teenage girl is obsessed with the then popular American movie heartthrob John Travolta.
Middle-class housewife Kay Miniver deals with petty problems. She and her husband Clem watch her Oxford-educated son Vin court Carol Beldon, the charming granddaughter of the local nobility as represented by Lady Beldon. Then the war comes and Vin joins the RAF.
Four Parisian women navigate the world of romance and daily life looking to fulfill their dreams.
Shehata is a committed employee in a private hospital. He lives with his daughter Nemat and his wife. One day Hussein proposes to his daughter, but the problem is that Shehata is unable to prepare his daughter, which prompts him to ask for an advance from the company. After management refuses, one of the bribed employees takes advantage of the opportunity and offers Shehata received a sum of money in exchange for a trust receipt, which he quickly used against him, especially after Shehata discovered that an incident of embezzlement had occurred.
Terry Malloy is a kindhearted dockworker, and former boxer, who is tricked by his corrupt bosses into leading his friend to death. After falling in love, he tries to leave the waterfront and expose his employers.
With no clue how he came to be imprisoned, drugged and tortured for 15 years, a desperate man seeks revenge on his captors.
Michel takes up pickpocketing on a lark and is arrested soon after. His mother dies shortly after his release, and despite the objections of his only friend, Jacques, and his mother's neighbor Jeanne, Michel teams up with a couple of petty thieves in order to improve his craft. With a police inspector keeping an eye on him, Michel also tries to get a straight job, but the temptation to steal is hard to resist.
Manhattan explores how the life of a middle-aged television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.
A disturbed, aging Southern belle moves in with her sister for solace — but being face-to-face with her brutish brother-in-law accelerates her downward spiral.
From the moment she glimpses her idol at the stage door, Eve Harrington is determined to take the reins of power away from the great actress Margo Channing. Eve maneuvers her way into Margo's Broadway role, becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend, her playwright and his wife. Only the cynical drama critic sees through Eve, admiring her audacity and perfect pattern of deceit.
