Doppel

Two friends visit fire-ravaged Ojai, California, intent on making a fake documentary about the infamous Ojai Vampire. However, things take a bizarre and frightening turn when they learn about a different local legend: The Char Man.

After picking up a traumatized young hitchhiker, five friends find themselves stalked and hunted by a chainsaw-wielding killer and his family of equally psychopathic killers.

Arthur and his two children inherit his uncle's estate: a glass house that serves as a prison to twelve ghosts. When the family, accompanied by a nanny and an attorney, enter the house they find themselves trapped inside an evil machine 'designed by the Devil and powered by the dead' to open the Eye of Hell. Aided by a ghost hunter and his rival, a ghost rights activist out to set the ghosts free, the group must do what they can to get out of the house alive.

Trapped within an eerie mist, the residents of Antonio Bay have become the unwitting victims of a horrifying vengeance. One hundred years earlier, a ship carrying lepers was purposely lured onto the rocky coastline and sank, drowning all aboard. Now they're back – long-dead mariners who've waited a century for their revenge.

A journalism student, Lilly, disappears while making a documentary about water levels at Lake Mead. When Lilly's cousin Erica goes searching for her, she comes to learn that some mysterious and deadly, "entities" lurk beneath the surface.

How would a found footage film look if the footage was never found? This conceptual art experiment questions the very nature of film and cinema while serving as an ironic tribute to the found footage horror pop culture. The found footage format provides the narrative justification for such a film to exist: the non-existence exists because the footage existed yet it was lost and never found.

After the Creed family's cat is accidentally killed, a friendly neighbor advises its burial in a mysterious nearby cemetery.

Six men and women verify the psychic phenomenon occuring at the Iwaki property in a certain place in Tokyo.

A documentary film crew investigate a series of brutal killings known as the Black Water murders. As they dwelve deeper into the story, they stumble upon a horrifying secret. One they may not survive.

Do You Like My Basement? tracks how one man's creative frustration bore a need to make the perfect horror film. Stanley Farmer was rejected universally by the film world. His frustration provoked a darker side and soon cunning, guile, devilish charm and a sociopath's streak compelled him to produce a home-made magnum opus. A film that blurs the lines between reality and fiction and demands the attention of the very world that spurned him.

A documentary-style drama based on true accounts of the Fouke Monster in Arkansas.