Thelonious Monk: Paris 1969

Jake Blues, just released from prison, puts his old band back together to save the Catholic home where he and his brother Elwood were raised.

Under the direction of a ruthless instructor, a talented young drummer begins to pursue perfection at any cost, even his humanity.

The daughter of jazz pianist Joe Albany witnesses her beloved father's struggle - and failure - to kick his heroin habit.

Recorded Live on July 18th, 1986 at "Montreux Casino", during the Montreux Jazz Festival (Switzerland)

Young Cab Calloway's mother is concerned, because Cab spends his days listening to the radio, pretending to lead a miniature orchestra. A deacon passing by the apartment hears him singing and advises him go to his wife's gypsy tea room. As she reads the tea leaves, she sees situations which lead to Cab and his orchestra performing musical numbers.

Musical performers put on a show in a pawn shop to convince a man to give them the money they need to buy back their instruments.

Common sense says you can't make a living in America playing avant-garde improvisational jazz. But Ken Vandermark does it anyway. Among musicians, Vandermark's work ethic is almost mythic. The Chicago reed player has released over 100 albums with nearly 40 ensembles, spends over eight months per year on the road, and lives every other waking moment composing, arranging, performing—and trying to discipline his two hyperactive canines. Though Vandermark was the recipient of a 1999 MacArthur genius grant, he still spends most of his life in smoky clubs and low-budget recording studios, hoping people will plunk down hard-earned cash to hear his wholly non-commercial music. Following the artful cinéma vérité style of the internationally acclaimed Sheriff (Work Series #1), Musician (Work Series #2) forgoes all interviews and voice-overs. It is a fly-on-the-wall time capsule that expertly captures every subtle sound and texture of this most American of art forms.

Retracing the longstanding career of avant-garde drummer Sunny Murray, one of the most influential figures of the Free jazz revolution. Through a series of interviews with key time witnesses as well as historic and contemporary concert footage, it reassesses the relationship between the libertarian music movement and the political events of the 1960s, whose social claims it so intimately reflected. By doing so, it also recounts how the most radical forms of musical expression were excluded from the major production and distribution networks as the libertarian ideal went out of fashion. Beyond its historical approach, the film follows Sunny Murray on current gigs, showing his daily struggle to perpetuate a musical genre which is still widely ignored by the general public. In doing so, Sunny's time now also dwells on the near-clandestine community of aficionados who continue to worship the gods of their musical coming of age, and whose unfaltering support has permitted free ...

A bittersweet musical drama set in London centers around a dejected jazz musician who is on the edge. He perceives a cold, black and white existence. In his heart there remains a ray of hope that will transport him to a warm and colorful world. Through the music, his spirit is renewed, if only for an instant, at the end of the rainbow.

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.