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While the film has a few hiccups, the package as a whole comes across as a truly moving experience that challenges the audience's morals with really thought-provoking dialogue. Along with Jasmine Batchelor's phenomenal performance, 'The Surrogate' is an important film that everyone should check out. - Chris dos Santos Read Chris' full article... https://www.maketheswitch.com.au/article/review-the-surrogate-raising-heavy-yet-important-questions
This movie put me in mind of a popular saying coined by Evelyn Beatrice Hall but widely misattributed to Voltaire: “I disapprove of what you say, but I will defend to the death your right to say it.” The problem, however, is not whether I agreed or disagreed with what the protagonist, Jess, has to say; the problem is that, if I were to defend what she says to the death, I’d be liable to find out, right as I’m about to shuffle off my mortal coil, that she just flip-flopped on me. Jess talks the talk – and she certainly talks a good game –, but when push comes to shove, she doesn’t walk the walk. That is, she talks business but doesn’t mean business, and when it’s time to put her money where her mouth is, she totally flakes out. So not only did I disagree with Jess, but found her, as a character, disagreeable because she doesn’t have convictions so much as she has opinions – or, to be more exact, she always has one and the same opinion, and that opinion is whatever stands in opposition to what everybody else thinks. In one word, Jess is a contrarian, and her agenda doesn’t revolve about doing what’s right but about proving the others wrong. That’s too bad because the movie touches on some very polarizing issues but ultimately lacks the courage to take a definite stance, and the cop-out ending takes what could have been a thought-provoking film and turns it into self-indulging, self-righteous fence riding.
Eyal, an Israeli Mossad agent, is given the mission to track down and kill the very old Alfred Himmelman, an ex-Nazi officer, who might still be alive. Pretending to be a tourist guide, he befriends his grandson Axel, in Israel to visit his sister Pia. The two men set out on a tour of the country, during which Axel challenges Eyal's values.
Two men share an odd friendship while they care for two women who are both in deep comas.
County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.
Following the tragic death of her teenage son, Manuela travels from Madrid to Barcelona in an attempt to contact the long-estranged father the boy never knew. She reunites with an old friend, an outspoken transgender sex worker, and befriends a troubled actress and a pregnant, HIV-positive nun.
An examination on the effect of Franco-era religious schooling and sexual abuse on the lives of two longtime friends.
In 1960s Wyoming, two men develop a strong emotional and sexual relationship that endures as a lifelong connection complicating their lives as they get married and start families of their own.
Kuhle Wampe takes place in early-1930s Berlin. The film begins with a montage of newspaper headlines describing steadily-rising unemployment figures. This is followed by scenes of a young man looking for work in the city and the family discussing the unpaid back rent. The young man, brother of the protagonist Anni, removes his wristwatch and throws himself from a window out of despair. Shortly thereafter his family is evicted from their apartment. Now homeless, the family moves into a garden colony of sorts with the name “Kuhle Wampe.”
As an AIDS activist and member of ACT UP in the 1980s and 90s, Sam witnessed the deaths of too many friends and lovers. Battlewounded and struggling with survivor's guilt, Sam now resents the complacency of his former comrades and derides what he sees as the younger generation's indifference to the politics of sex, and of death. An unexpected intimacy with a much younger man challenges Sam's understanding of contemporary gay life. Through this unconventional romance, he is forced to deal with the trauma that so informs his past, their present, and an unknown future.
On the outskirts of Brooklyn, Frankie, an aimless teenager, suffocates under the oppressive glare cast by his family and a toxic group of delinquent friends. Struggling with his own identity, Frankie begins to scour hookup sites for older men.
Ken Park focuses on several teenagers and their tormented home lives. Shawn seems to be the most conventional. Tate is brimming with psychotic rage; Claude is habitually harassed by his brutish father and coddled, rather uncomfortably, by his enormously pregnant mother. Peaches looks after her devoutly religious father, but yearns for freedom. They're all rather tight, or so they claim.