War of the Worlds Extinction 2024 - Movies (Mar 28th)
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Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
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England’s Lions The New Generation 2025 - Movies (Mar 26th)
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**_Horrific fun at a dilapidated sanitarium_** An attorney who was disfigured in an accident and driven mad with grief ‘haunts’ an abandoned asylum in northeastern New Jersey. Local youths laugh it off as a legend, but eight are about to find out differently. “Doom Asylum” (1987) is a kinetic horror comedy filled with hammy acting and over-the-top goofiness, but it is entertaining if you approach it for what it is — amusing schlock that only cost $90,000. The biggest star is the excellent location for this type of flick, the former Essex Mountain Sanatorium. Part of the fun is reading the perpetual graffiti on the walls, such as “Metallica,” “Ozzy” and so on. The basic premise revolves around placing beautiful, scantily-clad women in a rundown monstrosity of a building wherein deathly horror awaits. Eighteen years later “Death Tunnel” used the same idea with Waverly Hills Sanatorium near Louisville, KY, minus the silliness and humor. Another highlight is the female cast, which includes Kristin Davis as Jane, Ruth Collins as psycho-rocker Tina and Patty Mullen in a duel-role as Judy/Kiki. This was Kristin Davis’ first role; she went on to appear in two 1997 episodes of Seinfeld before shooting to fame with Sex in the City. Meanwhile the striking Ruth Collins was known as the Queen of B Movies in the late 80s/early 90s. The film is short ‘n’ sweet at 1 hour, 17 minutes, and was shot at Hilltop Reservation, Verona, New Jersey, which is only fifteen miles (north)east of Manhattan. GRADE: B-/C+
Marty and Doc are at it again as the time-traveling duo head to 2015 to nip some McFly family woes in the bud. But things go awry thanks to bully Biff Tannen and a pesky sports almanac. In a last-ditch attempt to set things straight, Marty finds himself bound for 1955 and face to face with his teenage parents - again.
When a mysterious drifter reluctantly takes a job with a roadside haunted house, he quickly discovers that the attractions locked up in the basement are far more dangerous than plastic skeletons in rubber chains. Together with a mixed-up young woman in search for her lost nephew, and a host of liquored-up, live-remote radio deejays, Jerrod will have to solve the mystery of an ancient Egyptian amulet and face the wrath of the Angel of Death before he can be free of his curse: Necrophobia.
This story is about a chemist who can't quite seem to get any sleep, and when he does... he truly is terrified.
Criminal psychologist Dr. Verónica Arizméndi (Edith González) gets the opportunity of a lifetime: A chance to study "The Descuartizador" (Jorge Reynoso), a vicious serial murderer who has gained notoriety thanks to the press and his sadistic crimes.
A serial killer evades police by taking up a job as groundskeeper of a cemetery. When a gang of punks throw a party there, the killer dispatches them one by one.
A group of friends set off into the Scottish Highlands in search of a long lost cabin. Once far from civilization, an unforeseen tragedy befalls the group and one bad decision leads to suspicion, betrayal and murder.
Two youth counselors bring a group of emotionally troubled teens deep into the woods for a weekend of solitude and confrontational therapy. The trip turns deadly when they are terrorized by a cannibalistic hermit with a thirst for blood.
After accidentally killing an opponent in the ring, a professional wrestler takes a job at a group home for youth offenders. But when a psychopath wearing a wrestling mask begins butchering the teenage residents, their rehabilitation will become a no-holds-barred battle for survival. Originally filmed in 1994 but completed in 2019.
In the second episode of the trilogy Fantômas kidnaps distinguished scientist professor Marchand with the aim to develop a super weapon that will enable him to menace the world. Fantômas is also planning to abduct a second scientist, professor Lefebvre.
Frustrated, because he is forced to produce bad TV-shows, a manager of a TV-station, enters the station and manipulates the ratings, to initiate a TV-revolution.