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Oh the irony of it all... After surviving the second wave of ghostface killings, Sidney Prescott has retired to the mountains to live in peace and work as a phone call therapist. Sadly for her she is about to be dragged back into the nightmare because the production of Stab 3 is rocked by murder and the killer is leaving pictures of Sidney's dead mother at the crime scenes. I have to admit that I once never gave this film much love, I loved the first two to such a degree that I felt this third and final instalment was way off being a fitting closure to what was at the time a trilogy. Yet as time has wore on I have really grown fond of the film, Parker Posey no longer annoys the hell out of me, the once jarring itch of watching the makers kill off a fave character of mine in the opening sequence is something I now view as a masterstroke, and the twisty ending that was once an irksome pest has moved on to be the perfect "trilogy" closure. Scream 3 has its tongue firmly in its cheek, it's aware of its number and it's aware of its formulaic root, so in spite of treading familiar ground (I mean come on gang, have you not learnt nothing from your previous experiences), the returning characters still have our undivided attention. While the transporting of the story to Hollywood, with its movie within a movie structure, is fresh and adds a new dimension to proceedings. New additions to the scary fun are Patrick Dempsey, Emily Mortimer, Lance Henriksen and the afore mentioned Parker Posey, and all of them add greatly to the mysterious plot unfolding. The death quotient is still high, and the Wes Craven school of whodunitry is well and truly open, and I personally feel that this one is easily the funniest film of the three, witness Jay & Silent Bob turning up, a Carrie Fisher sequence that once heard will never be forgotten, and a video appearance by passed on geek god Randy Meeks. Scream 3 closes the "trilogy" just fine, it's got bags of energy and a glint in its eye, now if only I could get a copy of the uncompleted Stab 3 off the internet - and if only there wasn't to be a part 4 further down the line... 7/10
Not even a brief cameo from "Princess Leia" herself - passing lively comment on George Lucas's casting techniques, can save this entirely derivative trequel. Amidst the filming of "Stab 3", people start to drop like flies almost exactly as they might following script of this soon to be completed masterpiece. The new slasher starts as he/she/it means to go on, by dispatching poor old "Cotton" (Liev Schreiber) and his girlfriend before turning attention to the old guard of "Sidney" (Neve Prescott), Courteney Cox ("Gale") - and their movie-star doppelgängers whilst the indomitable "Dewey" (David Arquette) laudably, but ineffectively, keeps a look out as the corpses pile up. This is a really poor rehash of the original with almost exactly the same plot with the same red herrings, screeching hysteria and audio-induced jump-points. Although the structure of the story is marginally different, the ending is just as ridiculously left field and reminded me of something Agatha Christie might have drafted before she tossed it on the fire. This gift has stopped giving for Wes Craven, time to stop!
**_Scream 3’s_ lackluster screenplay and unimaginative kills leave a film that is a bore to watch.** The meta-narrative of trilogies throughout the film does not make up for how abysmal the plot was. This film creates so much lore for the past movies seemingly out of the blue, muddling up the continuity for shock value. It added very little to this film and felt forced. The entire plot point of Sidney’s mother being a former Hollywood actress was pretty lame, especially with the added plot point of her being sexually assaulted by a movie producer. It may be personal taste, but I absolutely despise when films add that plot point, as it feels incredibly hypocritical since it is something that genuinely happens to an industry, they are involved in. The love triangle between Gale, Dewey, and the Gale actress was pretty dumb and felt undeserved, as we have not seen Gale and Dewey actually together in any of the films. In horror films, you can have a good movie with a terrible plot as long as the kills are great. Unfortunately, Scream 3 continues the trend of having boring kills with no imagination. There has been only one truly unique kill throughout the entire franchise, and the rest are unbloody stab kills. I understand the meta being about stabbing with a knife, as the in-film movie is called Stab, but please add some gore to it. There is nothing, no blood squirts or body horror, and it caused the entire movie to be boring. Our performances were exactly how I would describe Scream 2, with both Neve Campbell and Courtney Cox being the standouts and David Arquette being average at best. All of the new characters were pretty uninteresting, all of the actors in the film were annoying, and the movie producers felt generic. The direction of this film felt pretty uninspired. I am not sure if Wes Craven was forced to make this movie by the studio, but nothing about it felt unique and creative. It felt like he was phoning it in for a paycheck. Overall, there were not a lot of redeeming qualities for this film, and it left me feeling unfulfilled as the final credits rolled. Hoping Scream IV has more in store for me than this lackluster film. **Score:** _45%_ **Verdict:** _Poor_
Blonde Betty Elms has only just arrived in Hollywood to become a movie star when she meets an enigmatic brunette with amnesia. Meanwhile, as the two set off to solve the second woman's identity, filmmaker Adam Kesher runs into ominous trouble while casting his latest project.
In the winter of 1982, a twelve-man research team at a remote Antarctic research station discovers an alien buried in the snow for over 100,000 years. Soon unfrozen, the form-changing creature wreaks havoc, creates terror... and becomes one of them.
The story of the early, murderous roots of the cannibalistic killer, Hannibal Lecter – from his hard-scrabble Lithuanian childhood, where he witnesses the repulsive lengths to which hungry soldiers will go to satiate themselves, through his sojourn in France, where as a medical student he hones his appetite for the kill.
The chilling and relentless Jigsaw killer returns to terrorize the city once again. When a gruesome murder victim emerges with unmistakable traces of Jigsaw's sinister methods, Detective Eric Matthews is thrust into a high-stakes investigation. To his surprise, apprehending Jigsaw seems almost too easy, but what he doesn't realize is that being caught is merely another piece of Jigsaw's intricate puzzle.
Adventurous filmmaker Carl Denham sets out to produce a motion picture unlike anything the world has seen before. Alongside his leading lady Ann Darrow and his first mate Jack Driscoll, they arrive on an island and discover a legendary creature said to be neither beast nor man. Denham captures the monster to be displayed on Broadway as King Kong, the eighth wonder of the world.
Sara Snow, an awkwardly lonely and nervous girl, is being targeted by a serial killer whose thirst for death cannot be quenched.
On Piggy Bank Road, dead bodies are appearing in areas where the scent of Piggy-related things, such as sosigs and beercaans and porky scratchlings, are pungent to the naked nostril hole. Declan Donnelly is dutti rah shuk as the murders seem to be coming closer to the house he shares with his flat mate, Derrick Stone. When Declan begins to take matters into his own hands, he discovers things you know lik dat. But what will he uncover ? What will he discover? Will he be shuk? Watch to find out Dyldoes xoxo
The macho Italian vampire Baisez appears on the set of a low-budget film about vampirism and billiards and seduces the cast and crew.
After accidentally killing an opponent in the ring, a professional wrestler takes a job at a group home for youth offenders. But when a psychopath wearing a wrestling mask begins butchering the teenage residents, their rehabilitation will become a no-holds-barred battle for survival. Originally filmed in 1994 but completed in 2019.
A masked maniac targets cast members at a suburban Halloween haunt attraction, turning their staged injuries into gruesome real-life horrors. As the terror escalates, the lines between performance and reality blur.
A fashion designer gives a private showing at her mansion over a weekend, but someone starts killing off the models.