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The Ingraham Angle - (Jan 30th)
The Five - (Jan 30th)
Special Report with Bret Baier - (Jan 30th)
Outnumbered - (Jan 30th)
The Challenge- All Stars - (Jan 30th)
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The Thundermans- Undercover - (Jan 30th)
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Dark Side of the Cage - (Jan 30th)
NOVA - (Jan 30th)
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The Last Word with Lawrence ODonnell - (Jan 30th)
The Real Housewives of Salt Lake City - (Jan 30th)
Chicago Med - (Jan 30th)
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The Rachel Maddow Show - (Jan 30th)
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We start with the sight of a young girl cleaning the limousine her father drives for the wealthy "Larrabee" family. She has a crush on the younger brother "David", but that is but a pipe dream as she grows up and is sent to Paris where she learns cordon bleu cooking skills. Upon her return, the now much older "David" (William Holden) offers her a lift and though he doesn't recognise her, it is soon clear that she has lost none of her affections for him, and he now reciprocates. This throws a spanner in the works for the older brother "Linus" (Humphrey Bogart) who plans a large scale merger to make his bouncy glass, and that involves his brother marrying the daughter of the partner company. "David" is having none of this, but after he has an untimely accident involving his backside and some broken glass, "Linus" concocts a plan to send "Sabrina" back to France. This erstwhile steely man does not, however, factor in the effect his hanging out with this vibrant and intelligent young woman is going to have on him - and pretty soon he is just as smitten as his brother! John Williams adds value as her stiff upper lipped father; "Waltons" fans might recognise Ellen Corby in the role of his hyper-confident secretary "Miss McCardle" and Billy Wilder's script is entertaining and witty. There is a great chemistry on screen between the hugely charismatic Hepburn and Bogart and we do learn how not to make a soufflé omelette! Great fun.
**An excellent romantic comedy and one of Billy Wilder's best works.** I saw this film yesterday and I really liked it. I have seen other films with the same actors and there is no doubt that they ooze talent, and it is always a safe bet to see the films they made. This romantic comedy, unlike many of those currently produced, does not seem bland or excessively sugary: the romance and comedy intertwine in the ideal measure to make us laugh and enjoy the characters and the story. Directed and intelligently written by Billy Wilder, who gives us one of the best films of his career, it brings us the classic story of the employee's daughter who falls in love with the boss's son. I've seen this in films, in plays, in soap operas in almost every country... it's one of the oldest ideas for a romantic film. What really gives the film strength is the way the director conceives everything and leaves his vision imprinted in every detail. This vision of him includes a very intelligent comedy and a cast full of talents, led by the magnificent Audrey Hepburn, experiencing one of the most interesting moments of his career. She couldn't look more elegant, and it was interesting to see how the actress, so associated with noble or refined characters, embodied one who comes from such modest origins! I also really liked William Holden, who does a very committed and intelligent job. As for Humphrey Bogart... he is always a safe bet, an actor who commits himself to his work and guarantees results, but if even he was aware that he was too old for the role, what can I say? He was absolutely right... On a technical level, there isn't much to say: the film doesn't invest much in great effects and complicated cinematographic resources. In fact, all things considered, it seems like the kind of film where most of the budget was spent on ensuring the presence of a hand-picked cast. The cinematography is quite regular, functional and practical, the soundtrack does not bring great quality notes and goes unnoticed, the sets and costumes fulfill their role wonderfully, but are within what we expected to see. Of course, the costumes are an interesting aspect of the film, with a valuable contribution from Hubert de Givenchy (unfairly uncredited) quite evident behind the production efforts.
A home, a motorcar, servants, the latest fashions: the most eligible and most finicky bachelor in Paris offers them all to Gigi. But she, who's gone from girlish gawkishness to cultured glamour before our eyes, yearns for that wonderful something money can't buy.
A drama set in the 1920s, where free-spirited Janie Crawford's search for happiness leads her through several different marriages, challenging the morals of her small town. Based on the novel by Zora Neale Hurston.
Francois, a cheerful Parisian bohemian, wants more than anything to be a tour guide in his beloved city. While working the streets, Francois meets Madeleine, who works at a circus.
A young, unnamed woman, while biking home from the bank she works at, happens upon a weakened tree goddess whose native shrine is being demolished for construction work. She rescues her and brings the goddess home with her. The two form a relationship, but what will happen to the goddess as the construction progresses?
Erika Kohut, a sexually repressed piano teacher living with her domineering mother, meets a young man who starts romantically pursuing her.
Gabriel is a young, aspiring musical composer whose life seems stuck in the First Act. When his new musical number gets a critical reception, a theatre colleague, Perry, tells Gabriel that he needs to get a life before he can write about one – so he heads straight for his local gay bar.
Aspiring Florida defense lawyer Kevin Lomax accepts a job at a New York law firm. With the stakes getting higher every case, Kevin quickly learns that his boss has something far more evil planned.
Henry is a player skilled at seducing women. But when this veterinarian meets Lucy, a girl with a quirky problem when it comes to total recall, he realizes it's possible to fall in love all over again…and again, and again. That's because the delightful Lucy has no short-term memory, so Henry must woo her day after day until he finally sweeps her off her feet.
Adèle Hugo, daughter of renowned French writer Victor Hugo, falls in love with British soldier Albert Pinson while living in exile off the coast of England. Though he spurns her affections, she follows him to Nova Scotia and takes on the alias of Adèle Lewly. Albert continues to reject her, but she remains obsessive in her quest to win him over.
This rock opera tells the story of one year in the life of a group of bohemians struggling in late 1980s East Village, New York, USA. The film centers around Mark and Roger, two roommates. While a tragedy has made Roger numb to new experiences, Mark begins capturing their world through his attempts to make a personal movie. In the year that follows, they and their friends deal with love, loss, and working together.
Sam is a shy, mysterious and inconspicuous teenage girl, who falls in love with Troy, leader of an ultraviolent teenage gang, who does not feel physical pain, nor knows what love is. Together, against everyone and everything, they will face a series of obstacles trying to separate them, meanwhile figuring out what love and pain are. Debuting at Curtas, French filmmaker Elsa Rysto presents a love story mediated by ultraviolence, in a modern variation on the classic story of Bonnie and Clyde – or of the more contemporary Mickey and Mallory from “Natural Born Killers”. “Love Hurts” is a simple yet sensitive narrative about the so-called growing pains.