Billie Eilish: The World's a Little Blurry

Familiar Phantoms is an experimental documentary short film about memory, history and trauma.

Documentary - Tracing his career up to the point of his 1966 motorcycle accident and subsequent disappearance from the spotlight, this unauthorized documentary uncovers a side of Bob Dylan never revealed before. Includes extensive interviews and rare footage. - Mickey Jones

Thirty years after the end of the Lebanese Civil War (1975-1991), a filmmaker seeks to explore the trauma inflicted by the war on her family. Reverberations traces the history and politics of a nation in disarray in an intimate mother-daughter portrait that unravels the trauma that defined an era lost to history and a generation’s silence about its long-standing effects.

The film is based on the events of the 4th International Orthodox Music Festival held in Moscow in February, 1992. The Festival featured not only such famous works as Rakhmaninov's "The All Night Service" and "Liturgy" but also the first performance of the latest interpretations of ancient Russian songs and the sensational first performance of Sviridov's cycle of "spiritual songs".

A washed-up music producer finds one last shot at redemption with a golden-voiced young girl in Afghanistan. However, when jealousy gets the better of a disgruntled ex-boyfriend, he decides to oppose the young star with talent of his own.

As they travel around the country, a singer-songwriter duo's love triangle with their roadie jeopardizes their unannounced farewell tour.

The adventures of two amiably aimless metal-head friends, Wayne and Garth. From Wayne's basement, the pair broadcast a talk-show called "Wayne's World" on local public access television. The show comes to the attention of a sleazy network executive who wants to produce a big-budget version of "Wayne's World"—and he also wants Wayne's girlfriend, a rock singer named Cassandra. Wayne and Garth have to battle the executive not only to save their show, but also Cassandra.

A celebration of the legendary band that revolutionized pop music, and the iconic, harmonious sound they created that personified the California dream, captivating fans for generations and generations to come.

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

On November 6, 1975, a few days before the death of dictator Francisco Franco, the Spanish version of the rock opera Jesus Christ Superstar, originally written by Tim Rice and composed by Andrew Lloyd Webber, premiers in Madrid, starring and produced by singer Camilo Sesto, a controversial work that became a mass phenomenon.

A group of final-year media students experience their last 238 days together, expressing how they feel before having to say goodbye.