A Love Story in B-minor

Briggs Sheridan is not that bad a guy, but he's going to have to fake it if he wants to survive the next four days. He owes Mr. Reggie fifty grand and it's time to pay up. Mr. Reggie has a solution, though . . . a job. All Sheridan has to do is complete one simple task and he will make it through the week with all of his body parts intact, as long as the job doesn't kill him first. Based on the story by Stephen King.

After failing to commit his first murder, an aspiring serial killer decides that the most rational way to get started is to kill a friend who totally trusts you. This is how a lonely mentally unstable guy meets a naive next-door boy.

Forced into an early retirement, veteran detective Pepi (Pepi Mircevski) is burdened with showing his younger replacement, Muto (Sasko Kocev) how to become a proper detective.

Dakin, Cade, and Joel are three criminals who receive their next job. Instead of doing it, they argue over every detail, constantly arguing about their worth to the group while referring to past jobs.

In an alternate food-themed reality, the brash Detective Alfredo crosses former friends and enemies in an attempt to retrieve a stolen heirloom, The Bread, over the course of one chaotic night.

In Alonso Ruizpalacios’ bracing and stylish film, security guards in an armoured van try to manage the stress that comes from being close to a pile of cash in Mexico City. The team’s stability is imperilled when one member nears his boiling point.

When Conrad returns to his hometown to identify his mother's body, he is forced to confront the painful memories of his childhood.

An ex-hitman bored with his mundane life, revisits his past.

Based on Gertrude Stein’s eponymously named screenplay, written in 1929 as European fascism was building momentum. Beatrice Gibson’s adaptation, set almost a century later in contemporary Paris, deploys Stein’s script as a talismanic guide through a contemporary moment of comparable social and political unrest. An original soundtrack, written especially for the film by British composer Laurence Crane, responds to the repetition, duplication and duality at play in Stein’s script. Both a fictional thriller and an act of collective representation, Deux Soeurs proposes empathy and friendship as means to reckon with an increasingly turbulent present.

A Los Angeles detective discovers the unbelievable while searching for a missing child and in the aftermath his life begins to unravel.