Pound Foolish

In the brief moments before a hate crime occurs, a young woman imagines her escape.

A serial killer who frames bystanders turns a retreat and investigation to a nightmare.

In 1989, Jun-Jieh Wang enrolled in Hochschule der Künste, Berlin, a year when the Berlin Wall was pulled down and the fall of Communism in the communist states of Central and Eastern Europe and beyond. He was astonished by these dramatic events. Several issues concerning politics, ideologies, aesthetics as well as the forms, market and power of art had been preying on his mind for so long that he lost the ability to make artworks and even questioned the value of the existence of art. His passively reactionary state of mind in this period was clearly reflected in the works simulating low-quality B-movies or TV programs, such as Killer Girl, Odyssey III (1990), Love, Die, Daredevil, Odyssey IV (1991).

Two bored housemates turn to killing as a means of entertainment.

This film was made in 52 hours for the Belhaven B52 Film Challenge. It won in the College/Adult Category. The prompts given were: There must be a theme of perseverance. There must be a water bottle. And there must be something orange. Clifford has found out about a big score and he convinces Tweety Bird to go along with him to get it.

After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.

After lending a hand to a neighborhood club owner, a bartender is inadvertently swept into the aftermath of a heist which plunges him into Manhattan's crime world. If he fails, he risks not only himself but, crucially, the love of his life.

"Random Stop" is a first-person P.O.V. recreation of events from the life of a highway patrolman. The film is based on the true story of Sheriff's Deputy Kyle Dinkheller who - at the end of a shift - pulled over a speeding pickup truck driven by disturbed Vietnam veteran, Andrew Brannan. The results of this routine traffic stop were both tragic and deadly. Footage of the stop is now used in police training throughout the world.

A short film about a player and a gambler.

A strict elderly teacher suddenly begins to seem (or not to appear?) That the students in her class are no longer children, but terrible monsters, pursuing their mysterious goals.

Trauma reporter Patricia Evangelista had a front-row view of the harshness and cruelty brought upon the lives of those who became victims of the Drug War under Duterte's administration. Witnessing the aftermath of violent killings, she struggles with the emotional toll of reporting on the victims and their families. Now, Patricia has no other choice but to persist and struggle amidst the grappling difficulties of fighting her internal battles and fighting the battles of those people whose stories she carries in every article and paper she writes.