Dancetime New Dance Group Gala

2 of One is a video album by American heavy metal band Metallica. It was released on June 6, 1989, through Elektra Entertainment and features two versions of the group's first music video, "One", from their fourth studio album "...And Justice for All". The music video One was directed by Bill Pope and Michael Salomon and was filmed in Los Angeles, California. It features clips from Dalton Trumbo's anti-war film Johnny Got His Gun (1971). All parts of 2 of One are also included on the DVD "The Videos 1989–2004", released in 2006.

A group of 12 teenagers from various backgrounds enroll at the American Ballet Academy in New York to make it as ballet dancers and each one deals with the problems and stress of training and getting ahead in the world of dance.

Sunset Shimmer reflects on how friendship helped her become the person she is today.

Tyler Gage receives the opportunity of a lifetime after vandalizing a performing arts school, gaining him the chance to earn a scholarship and dance with an up and coming dancer, Nora.

The girls try to come up with a theme for the big party to be held later that night.

A Gospel wedding song by Samuel Destiny, Shows people celebrating, dancing and praising God for this special day as the couple come together fulfilling God's will. The Music Video is graced with African vibe and vibrant colours.

Honey Daniels dreams of making a name for herself as a hip-hop choreographer. When she's not busy hitting downtown clubs with her friends, she teaches dance classes at a nearby community center in Harlem, N.Y., as a way to keep kids off the streets. Honey thinks she's hit the jackpot when she meets a hotshot director casts her in one of his music videos. But, when he starts demanding sexual favors from her, Honey makes a decision that will change her life.

A take on "Beauty and The Beast" and "Phantom of the Opera" in which Meatloaf pursues a beautiful woman as he's chased by the cops.

The story begins the day before the graduation ceremony. Five middle school girls each are preoccupied with their real everyday lives. These girls meet each other in a fantasy world after being sent there through a sudden occurrence. There, they learn about the impending crisis that this world is facing. The way to avert this crisis is for the five to collaborate and bring their five hearts together as one through dance. However, the five cannot come to love the world, and cannot tell their true feelings to one another, so their hearts are unable to unite. The time limit is fast approaching. Can the dance of the five girls save the world? And will they be able to graduate?

How do we bring our physical bodies with us into our inevitably digitally-bound futures? Collaboratively conceived by director Brian J. Johnson and Vancouver’s acclaimed Company 605, Future Futures is a collection of five short dance films that explore the digital destiny of humankind through a unique merging of camera and visual effects with a specific choreographic vision. Embracing the absurdity of centering dance inside a sci-fi narrative, the experimental series collapses time to portray human culture at an unprecedented moment: the emergence of a new, autonomous, and intelligent being—the digital reflection and culmination of ourselves. Through its otherworldly imagery, choreography, and driving electronic sound score, Future Futures evolves into a strange, highly visual exploration of what we are if we are no longer tied to our physical bodies, and how we will define humanity when faced with a fading IRL existence.

Eight Early Era dancers inspect the systems by which we abide, and the sameness required of average people to operate within those systems. To the rhythms of Austin-based hip-hop duo Magna Carda, the artists must decide whether to stay within the boxes that confine them or break free. A unique visual experience featuring ingenious and playful imagery of dancers in their different spaces.