Director's Cut

Former sports gambling addict Chance needs $60,000 to save his mother from nursing home eviction. So he falls back into his old habits, only to learn he's never lost a bet on Christmas. Is this the Christmas miracle he's been waiting for? Or just an addict who can't control himself?

Taken in one concentrated best-of dose, it becomes evident what a coup The B-52's pulled off when they turned their own concentrated craziness into genuine hits. This is some of the weirdest stuff ever to make the charts, much less beloved by the masses. It's all here through the mad surf guitar of Ricky Wilson (and later Keith Strickland), the banshee wails of Cindy Wilson and Kate Pierson, and, of course, the, um, well, let's say vocalizing of freaky Fred Schneider. "Party out of Bounds" with a "Rock Lobster" on "Planet Claire," or "Roam" over to the "Love Shack" in "Private Idaho." Whatever you do in The B-52's universe will at least be good, clean, perverse fun

A man goes through extreme measures to attempt to stop the ghosts of the girls he murdered in a snuff film from haunting while trying to keep the authorities off his back as well.

Pat Baker is a small town sheriff. His son, Kurt, is a deranged young man with a dark secret. Sheriff Baker's worst nightmare comes true when Kurt escapes from a psychiatric hospital where he was locked away for the brutal murder of his mother thirteen years earlier. Gary, a hospital security guard, sets out into the woods to stop him, but soon finds himself relentlessly hunted by the deranged psychopath intent on killing him and anyone who crosses his path. Sheriff Baker launches an intense search to find his son, only to discover that his daughter, Sara, and her friends are camping in the same woods where Kurt has escaped. Kurt's psychosis escalates, as does his vengeful killing spree, culminating in a terrifying, climactic confrontation with Kurt, the sheriff and his family.

Described as 'a fairytale with its roots in the worlds of dadaism and surrealism'.

Winnie Leung becomes more disturbed and depressed after her boyfriend Seth Lau breaks up with her and she turns schizophrenic - imagining events which never occurred, and often living in her own world- until one day she meets a guy named Ray, bearing a close resemblance to Seth. Seeing this, her best friend Yvonne encourages her to go out with Hou so she can forget her misery and start over. As time passes, Winnie realises that the relationship with Ray is so alike her previous relationship with Seth, and when things seem to be running smoothly, the relationship begins to sours, just like with Seth. She begins to doubt his feelings and the lines between reality and fantasy start blurring again for her, leading her to question: did this all exist in the first place?

A group of sinners involved in interconnected tales of murder, revenge, deceit and adultery all meet at the Gates of Hell.

A one-shot horror thriller about a kidnapped man who has ended up in a bad place in many ways.

A rare family night for Jay takes a brutal twist when he awakens in a basement with three other prisoners. As their vengeful captor runs riot, Jay engages in a twisted battle to solve the puzzle to his past and save his family's future.

One of pop music's truly innovative bands, The Police were one of the most pervasive musical influences of the 1980s. Led by charismatic singer Sting, the band cultivated an artful fusion of rock and reggae that was defined by Stewart Copeland's minimalist drumming. EVERY BREATH YOU TAKE contains videos from the band's inception, including such classics as "Roxanne," "So Lonely," and the newly created clip "Don't Stand So Close to Me." The visual quality of "Every Breath You Take," which was filmed in black and white, is exceptional.